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Meeting Evil
 
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Meeting Evil (Audio Cassette)

by Thomas Berger (Author)
4.0 out of 5 stars  See all reviews (1 customer review)

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From Library Journal

Answering his door one morning, solidly middle-class John Felton finds a scruffy-looking man whose car is in need of a push. Responding helpfully despite his misgivings, John sets in motion a nightmarish series of events in which he becomes the unwitting accomplice of Richie Maranville, a psychotic criminal just released from a mental hospital. During their day-long crime spree, the two develop a curiously symbiotic relationship, with John ultimately discovering the dark, irrational side of himself he has long denied. While almost coming to believe Richie's assertion that they are psychic brothers, he makes a decision in the novel's final scene that lifts him forever above the "moral triviality" of his alter ego. This is a precisely rendered, excruciatingly suspenseful tale of psychological duality. For most collections.
- Lawrence Rungren, Bedford Free P.L., Mass.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.


From Kirkus Reviews

The worst day in the life of struggling suburban realtor John Felton: from the doorbell's morning ring on through a rising spiral of violence to a teasingly ambiguous midnight climax--when John finally has to deal with the smiling, homicidal nemesis/double responsible for ruining his life. The man at the door, calling himself only Richie, wants John to push his stalled car to the edge of the downgrade; but, later, John doesn't want to walk back up the hill, and while he waits for Richie (who seems somehow deeply unsettling) to give him a lift home, Richie's car gets dented by another car driven by Sharon, who begs John to say he was with her because she has only a learner's permit. Anyway, while the three of them are cooking up stories for the police, Richie's car is stolen, so he asks Sharon and John to give him a ride home, to a village 15 miles away, where the police will shortly have set a roadblock for the perpetrators of breaking and entering, assault and battery, arson, vehicular homicide--all of which John will be a helplessly passive party to. By the time John is finally arrested by the local police, the Rube Goldberg plot seems to have run its course; but it's in the story's second half that suave, enigmatic Berger really goes into a stretch, bringing John back home to find his wife wining and dining Richie in his latest disguise, deaf to his whispered pleas that this man is dangerous, all the while that Richie is doing his own whispering about how alike he and John are--neither of them cares about anybody but himself, so why don't they cut loose and take off forever? The presto agitato first half seems at first no deeper than, say, Ed McBain's Downtown; later, when he raises unsettling questions about the deeper kinship between the psycho and the realtor, Berger still remains noncommittal. The result is by turns exhilarating, disturbing, and finally unsatisfying--as if an amusement-park ride had just dumped you back where you first got on. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
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4.0étoiles sur 5 The Ballad of the Good Samaritan..., Juil 2 2003
Par Luan Gaines "luansos" (Dana Point, CA USA) - Voir tous mes commentaires
(REAL NAME)   
This review is from: Meeting Evil: A Novel (Paperback)
Thomas Berger is a master of turning the mundane into nightmare, as he proves once again in Meeting Evil. When John Felton, a real estate salesman, regular guy next door, answers his doorbell early one morning and a stranger with car trouble asks for assistance, he willingly obliges. This is Felton's first mistake.

As the situation escalates into chaos, it is clear that something is very wrong. Ritchie, the stranger, is both obnoxious and obsequious, given to sudden flares of temper. John's go-along personality has gotten him into an untenable situation, one that seems to offer no immediate avenue of escape and Felton is confused about why he is with the volatile Ritchie. John's habitual tentativeness is a great disadvantage, leaving him as vulnerable as the proverbial lamb waiting for slaughter. "He was conscious of a lifetime of urge to do right."

What happens when a rational man finds himself in an ever more dangerous situation, where he is helplessly mired in moral perplexities? As more innocent bystanders are drawn into Ritchie's vortex, it is John's conscience that struggles with escape, at the mercy of a sociopath. Ritchie's escalating violence is intolerable and John Felton's life is seriously out of control.

John must decide if he can maintain his integrity and still remain a passive bystander, caught between adapting to Ritchie's unpredictable impulses and escaping without harm. All Felton's struggles are as yet internal; he is unable to take action for fear of the consequences. "To be no hero is shameful, but taking satisfaction in that state of affairs would be."

This is the story of a family man, a suburban Everyman, spending his days in comfortable rapprochement with his environment, never questioning his ethics in the world at large. John is complacent, his manhood unchallenged, in one sense a moral NIMBY (not-in-my-backyard). When evil threatens, John is immediately paralyzed, equivocating. But what works in every day situations may not provide the appropriate answer in extreme circumstances. Meeting Evil poses the philosophical dilemma of life in a civilized society pitted against aberrant behavior with no room for error. Luan Gaines/2003.

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