From Publishers Weekly
Fans of Pearl's bestselling debut,
The Dante Club (2003), will eagerly embrace his second novel, a compelling thriller centered on the mysterious end of Edgar Allan Poe, who perished in Baltimore in 1849. Poe's ignominious funeral catches the notice of Quentin Clark, a young, idealistic attorney, who finds himself obsessed with rescuing Poe's reputation amid rumors that the writer died from an excess of drink. Clark's preoccupation soon becomes all-consuming, imperiling his practice and his engagement, especially after he learns that Poe's legendary master sleuth, the Chevalier Auguste Dupin, was modeled after a real person. The lawyer journeys to France to track down the real Dupin, in the hopes that the detective can help him solve the puzzle of Poe's death. Pearl masterfully combines fact with fiction and presents some genuinely new historical clues that help reconstruct Poe's final days. While Clark remains a little enigmatic, the exciting plot, numerous twists and convincing period detail could help land this on bestseller lists as well.
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There's a mystery surrounding Edgar Allan Poe's death. Quentin Clark, lawyer and Poe devotee, risks his legal practice and his engagement to solve it, hoping to reverse the author's reputation for drinking and debauching. Clark discovers that C. Auguste Dupin, Poe's detective creation, is modeled after a real person, so he's off to Paris to find him. Erik Singer's understated performance resonates with credibility. Villains are thwarted and the truth uncovered using ratiocination, and Singer makes the first-person account completely plausible. He reads Matthew Pearl's blend of history and fiction with assurance. His phrasing and pronunciation reflect an excellent grasp of period diction, and his accents--American, British, and French--ring true. S.J.H. © AudioFile 2006, Portland, Maine--
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