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Intimacy and Midnight All Day: A Novel and Stories
 
 

Intimacy and Midnight All Day: A Novel and Stories (Paperback)

de Hanif Kureishi (Author)
4.0étoiles sur 5  Voir tous les commentaires (2 évaluations de client)

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From Library Journal

Gabriel's Gift is lighter entertainment, for though it concentrates on a fractured family, the reader knows throughout that it is only a matter of time before all will be reconciled. This is very much a comfy chair of a book, with colorful, witty characters enduring only minor shakeups in their lives before resuming their previous paths. There's Rex, an ex-glam rock star, now underemployed and recently evicted from the house by Christine, who's had enough of Rex's inactivity and worries about his impact on their son, Gabriel. Gabriel has a bear of a nanny to watch him as well as a gift that allows him to create real things just by drawing them, though this twist curiously remains largely unexplored. Gabriel's love for his dad and mum, a little bit of serendipity, and some responsibility on Rex's part (i.e., a job) helps to bring the family back together. The tale seems patchy but pleasant enough, especially for fans of the author. Marc Kloszewski, Indiana Free Lib., PA
Copyright 2001 Reed Business Information, Inc.


Review

Molly GouldSan Fancisco Review of BooksHanif Kureishi does time and again that which very few writers of even the highest caliber dare attempt: he writes very funny works about serious topics.

Harper's BazaarKureishi is, simply, a wonderful writer, and Intimacy is a work of dark beauty.

The Village VoiceIntimacy is a short, blunt shock of a novel -- stark, compelling, and painfully affecting.

Jane MendelsohnThe New York Times Book ReviewKureishi is a fluent, socially observant writer whose sentences move with intelligence and wit.

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4.0étoiles sur 5 CLEAR SHARP AND INTROSPECTIVE, Juil 10 2003
Par K. A. Harris "mediapuzzle" (sydney) - Voir tous mes commentaires
(REAL NAME)   
This is the 2nd book I have read by this author and although it does not entertain to the same extent as BUDDHA the writing is clear sharp, honest and original. The story of INTIMACY is very one dimensional and therefore reads very autobiographical. There is very little characterisation of anyone in the book except the protagonist, which almost confirms the autobiographic theory. I liked the honesty, the weakness, the selfishness, the sheer madness of the thoughts and situation - it all rings very true from what I felt. It was like reading someones diary almost so the voyeurs out there will love it. There is plenty to dislike in the book but I read it in a day and a half and i dont do that often, the ending for example is weak, pathetic and superficial, bit like the author really, I am not saying this in a bad way, the character is just not very likable, no wonder his life is a disaster! Read it and be glad that you are not him.
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4.0étoiles sur 5 Life begins at 40?, Nov. 19 2002
This set of stories from Kureishi is concerned with the onset of middle age. A series of characters all reach a stage in their lives (around 40 years of age) where they hit a crisis: previous certainties disintegrate, whether they are expressed in the form of their marriages (as in "Intimacy") or in their careers (as in "Sucking Stones"). Throughout the stories, Kureishi's characters experience disillusionment, a sense of failure or underachievement and a desperate urge to start anew.

Although the final story, "The Penis", is more light-hearted, this is a deeply introspective collection of stories. I seem to recall when I first read "Intimacy", which was published originally as a novella, that Kureishi had been going through a huge disruption in his personal life. If my memory is correct, then that would explain the confessional feel of "Intimacy", and indeed would go some way to understanding the author's exploration of this particularly difficult time of life in the other stories.

So, if you're searching for something to uplift your spirits, this collection might not be for you. On the other hand, if you've experienced any of the difficulties Kureishi explores, there might be solace in the fact that others go through similar trials. If neither of the above apply, this is still an interesting collection from a skilled writer, perhaps at a key stage in his development.

Of course, the stories are of variable quality. I thought that "Intimacy" was by far the best, as it felt (achingly at times) very personal. Others are somewhat inconclusive, but mood and exploration of emotions seemed to be Kureishi's main aim rather than plot resolution.

G Rodgers

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