From Publishers Weekly
The title of the newest installment in Fairstein's Alexandra Cooper crime series (The Bone Vault; The Deadhouse; Final Jeopardy) refers not only to the several bodies that turn up in the course of the novel but to the creeks and channels that crisscross the watery periphery of Lower Manhattan. From her downtown office-and with the aid of NYPD detectives Mike Chapman and Mercer Wallace-the doughty assistant DA tackles a complicated case, the rape of 36-year-old Paige Vallis. Psychotic Andrew Tripping is accused of the rape as well as of the physical and mental abuse of his own 10-year-old son, Dulles. While trying to convince a jury of Tripping's guilt, Alex is handed another kill, this one the suffocation of elderly Harlem Renaissance dancer McQueen Ransome. Queenie turns out to have a fascinating history, having been both an espionage agent in WWII and the mistress of the legendary Night Crawler, King Farouk of Egypt. On her way out of the palace door, Queenie pocketed enough of the king's treasure to set her up for life, which finally gets her killed. There are complications in the form of CIA agents, crooked lawyers, smalltime hoods and a surrounding cast of friends, lovers and enemies, all adding texture and realism to the story. Alex survives several attempts on her life and sleuths her way to a solution of both murders while untangling the knotted history that connects them. Fairstein's style and skills have matured over the years, making this a consistently dependable series with a likable and intelligent heroine.
Copyright 2003 Reed Business Information, Inc.
Two seemingly unrelated cases merge, thanks to the persistence of Alex Cooper, feisty New York City Assistant DA. The ever-thickening plot involves a rape trial, the murder of an octogenarian dancer in Harlem, espionage, coin collecting, a hurricane, long-dead King Farouk, and a host of characters. It is to Blair Brown's and the abridger's credit that it all makes sense. This isn't Brown's first outing as Cooper, and she's obviously comfortable in the first-person role of Alex, as well as adept at others. When she says she can't stand an opposing lawyer's voice, you hear why. Every word is clear, and the production flows like the channels for which the book is partially named. J.B.G. © AudioFile 2004, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to an out of print or unavailable edition of this title.