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The Lessons of  Terror: A History of Warfare Against Civilians: Why It has Always Failed and Why It Will Fail Again
  

The Lessons of Terror: A History of Warfare Against Civilians: Why It has Always Failed and Why It Will Fail Again [Audiobook] [Unabridged] (Audio CD)

de Caleb Carr (Author)
3.5étoiles sur 5  Voir tous les commentaires (2 évaluations de client)

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"Commercial aircraft . . . slamming into crowded, unprotected office buildings. How can we have come to this?" wonders Caleb Carr. Known for his bestselling novels, Carr brings his training as a historian to bear in this book-length essay. Terrorism--the slaughter of civilians in order to demoralize the enemy--is an ancient trick, he writes. And yet it has never ever worked. Israelis and Palestinians are both condemned, as is the bombing of occupied Europe during WWII, which only served to stiffen German resistance, according to Carr. CIA-supported violence is charged with having earned this generous nation a reputation for evil. Two wrongs don't make a right. Dennis Boutsikaris reads eloquently and with passion. From his lips to God's ears. B.H.C. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine

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2.0étoiles sur 5 not convincing, Aoû 10 2002
Par Ernest Gundel (Marlboro, MA) - Voir tous mes commentaires
(REAL NAME)   
This book is elequent and occasionally hits a nerve. But basically it's message is simply: Terrorism (or war against civilians to achieve a political effect) is a self-destructive method of warfare, because the reaction to terror is more often than not outrage rather than capitulation.

Carr goes beyond this to suggest that there are no exceptions to this rule, when some obvious exceptions come to mind (eg., Hiroshima, the extermination of the American Indians, and the frequent mass killings of any inconvenient population by various nations throughout history). So even the central message of the book is muddied by inconsistencies.

And beyond that message, this book has little to offer, and is badly flawed by its single-mindedness, its rush to judgement about complex events, its deliberate ignorance of obvious counter arguments, and a tendency to patronize the audience by asserting that events be interpretted his way, even when more familiar interpretations are more convincing.

On the plus side, I see no political bias or propaganda. Whatever biases the author has, they appear to be personal.

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5.0étoiles sur 5 Ignore the criticism!, Fév 28 2002
Despite some unfair negative press, this book is yet another example of Carr's masterful writing style and unparalleled ability to create strong, lasting images. Some readers expecting historical fiction might not appreciate Carr's subject matter, but it is important to remember that military history is Carr's field of expertise. Knowing this going in, I was able to immerse myself and enjoy from beginning to end.

After September 11, it is important to have a reasonable, intelligent response that avoids sensationalism and fear-mongering. Carr's approach (and use of history) not only describes the ultimate futility of terrorist actions, but attempts something few people in the media dare to do -- provide context and comparative understanding. Our plight might seem unique and unprecedented to those in the full arrogance of their Americanism, but Carr rightfully dashes such nonsense, demonstrating that terror, far from a "Middle East problem," is (and has been) world-wide in scope, taking various shapes and employing wide-ranging tactics.

Above all, however, Carr is simply a wonderful writer. His prose is clear and direct, yet always intellectually sound. This is far from the simplistic rants one comes to expect in this area; Carr always takes his book in the right direction and (thankfully!) expects his audience to bring more than a working knowledge of the subjects at hand. He is a challenging, provocative author, always avoiding self-righteousness and easy targets.

Buy -- and read -- with confidence. Carr is, as always, the man to seek in such matters. I only wish he gave us more non-fiction for his love (and knowledge) of the subjet is quite apparent.

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