From Amazon.com
Larry McMurtry's
Sin Killer is a wildly entertaining ride through the untamed Great Plains. The first installment of a proposed tetralogy, The Berrybender Narratives,
Sin Killer follows the adventures of the Berrybenders, a large, noble English family traveling the Missouri River in 1832. This deeply self-absorbed and spoiled family leaves England for the unknown of the American West, based solely on a "whim" and Lord Berrybender's desire to "shoot different animals from those he shot at home." The novel joins the family as they make their way toward Yellowstone aboard a luxury steamer, accompanied by a motley assemblage of servants, guides, and natives. Along the way, this "floating Europe" and its bickering, stubborn passengers encounter constant adversity, including warring natives, hellacious weather, accidental deaths, and kidnappings.
Thanks largely to Sin Killer's gallery of colorful personalities, McMurtry keeps most of the action firmly in the realm of fish-out-of-water farce. One such character is the independent and opinionated eldest daughter Tasmin, who, frustrated by her family's conventions, escapes the steamer, whereupon she meets and falls in love with Jim Snow, a.k.a. Sin Killer. Snow, an Indian killer raised by natives, is a stoical, God-fearing man who won't tolerate blasphemy. With prose that flows as naturally as the Missouri, McMurtry weaves together a large cast and vast setting into a thoroughly exciting, hilarious adventure novel. Though Sin Killer focuses on a love story and contains plenty of realistic violence, McMurtry's efficient voice and matter-of-fact perspective leaves little room for tragedy or sentimentality, instead emphasizing high comedy. This is wonderful storytelling from a narrator in perfect agreement with his subject. Sin Killer should please McMurtry's many fans, who now have much to look forward to. --Ross Doll
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Publishers Weekly
Part western, part satire of the English class system contrasted with rugged frontier society, the first volume of this proposed tetralogy gets off to a shaky start as McMurtry introduces the randy, bumbling Berrybender clan, a rich but inept aristocratic British family that journeys up the Missouri River to try to capitalize on the land boom of the 1830s. The early romantic subplot shows promise when beautiful but flighty Lady Tasmin Berrybender, temporarily separated from her group, is rescued by Jim Snow, a quiet, religious trapper known as the Sin Killer, both for his piety (I'm hard on sin ) and for his fierce fighting skills. Snow returns Tasmin to the family vessel, and his sudden marriage proposal delights Tasmin, until she discovers that he already has two Indian wives. The other narrative lines aren't nearly as entertaining, as McMurtry veers back and forth between outlining the war between various rival Indian tribes and trying to generate comic sparks with the Berrybenders' ongoing series of pratfalls. He has some brief success in the later chapters when Tasmin defies her pompous father, Lord Berrybender, as he tries to undo the marriage to keep the family bloodline pure, and Jim Snow remains an intriguing figure throughout. But much of the light comedy lands with a thud, and the introduction of a raft of mostly superfluous characters takes the edge off McMurtry's prose and makes the Berrybenders seem silly and inane rather than charming. McMurtry does plant a few promising plot seeds for the ensuing books, but it will take a more focused and genuinely humorous effort the next time out to make this concept work. While the narrative fails to satisfy as a true western, readers should enjoy McMurtry's portrait of the terrain bordering the Missouri River. Future volumes will be set on or beside three other rivers, the Yellowstone, the Rio Grande and the Brazos.
Copyright 2002 Cahners Business Information, Inc.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
