From Publishers Weekly
Tan can relax. If The Joy Luck Club was an astonishing literary debut, The Kitchen God's Wife is a triumph, a solid indication of a mature talent for magically involving storytelling, beguiling use of language and deeply textured and nuanced character development. And while this second novel is again a story that a Chinese mother tells her daughter, it surpasses its predecessor as a fully integrated and developed narrative, immensely readable, perceptive, humorous, poignant and wise. Pearl Louie Brandt deplores her mother Winnie's captious criticism and cranky bossiness, her myriad superstitious rituals to ward off bad luck, and her fearful, negative outlook, which has created an emotional abyss between them. Dreading her mother's reaction, Pearl has kept secret the fact that she is suffering from MS. But as she learns during the course of the narrative, Winnie herself has concealed some astonishing facts about her early life in China, abetted by her friend and fellow emigree Helen Kwong. The story Winnie unfolds to Pearl is a series of secrets, each in turn giving way to yet another surprising revelation. Winnie's understated account--during which she goes from a young woman "full of innocence and hope and dreams" through marriage to a sadistic bully, the loss of three babies, and the horror and privations of the Japanese war on China--is compelling and heartrending. As Winnie gains insights into the motivations for other peoples' actions, she herself grows strong enough to conceal her past while building a new life in America, never admitting her deadly hidden fears. Integrated into this mesmerizing story is a view of prewar and wartime China--both the living conditions and the mind-set. Tan draws a vivid picture of the male-dominated culture, the chasm between different classes of society, and the profusion of rules for maintaining respect and dignity. But the novel's immediacy resides in its depiction of human nature, exposing foibles and frailties, dreams and hopes, universal to us all. Major ad/promo; Literary Guild and Doubleday Book Club main selections; first serial to Grand Street, Lear's, McCalls and San Francisco Focus; paperback sale to Fawcett/Ivy; author tour.
Copyright 1991 Reed Business Information, Inc.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Library Journal
The Joy Luck Club ( LJ 2/1/89), Tan's remarkable and successful first novel, is followed by this chronicle of Chinese-American life, which shows Tan's growth as a writer. Pearl, the American-born daughter of immigrants, begins the tale with an uneasy visit to her mother for Grand Auntie Du's funeral. Misunderstanding runs deep between mother and daughter: Pearl is married with two young girls of her own, but her mother's life is largely incomprehensible to her. This leads to the large second part of the novel, told in mother Winnie's voice of her young womanhood in World War II-era China. Tan is a gifted natural storyteller. The rhythms of Winnie's story are spellbinding and true, without the contrivance common in many modern novels. Highly recommended. Previewed in Prepub Alert, LJ 11/15/90; Literary Guild and Doubleday Book Club main selections; first serial to McCall's .
- Ann H. Fisher, Radford P.L., Va.Copyright 1991 Reed Business Information, Inc.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.