From Publishers Weekly
The prolific Michaels ( Into the Darkness ) sets off her latest high-voltage mystery the instant Diana Reed, a shrewd and determined lawyer, appears at the Nicholson estate in Maryland as their new landscape architect. Diana is actually searching for her younger brother Brad, who disappeared eight months earlier while working as caretaker for the estate's previous owner, Miss Musser. With considerable guile and a superficial knowledge of roses, Diana charms the Nicholsons into leaving her in charge of their manor for several weeks. Flying into action and dropping her disguise, she enlists the aid of Mary Jo, the feisty cleaning woman/student who once had an affair with Brad. Other allies are found in Walt Slade, the industrious, provocative gardener, and Andy Davis, Mrs. Nicholson's inept yet endearing son. The four disparate friends pry discreetly and focus their suspicions on Miss Musser's smarmy lawyer and Mary Jo's violent ex-husband. Woven through events are disquieting elements: crystal-clear music, lingering perfume and ambiguous forms suggesting an unworldy figure; indeed, Diana is saved from serious harm by a hand (quite literally) from another world. Michaels once again offers a witty, intricate and ultimately surprising story, with strong characterizations that keep the sparks flying. Literary Guild alternate; Doubleday Book Club main selection.
Copyright 1992 Reed Business Information, Inc.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Library Journal
In a desperate attempt to locate her missing brother, Diana Reed goes to work as a landscape architect at the last place he was seen. Unqualified for the job, she lives with fear of discovery--which, of course, eventually transpires, prompting her boss and coworkers to try to assist her in her search. Sinister events make murder seem the most likely explanation for her brother's disappearance, and, in true Michaels fashion, things get quite spooky. There's a creaky old house, a ghost (or perhaps more than one), a 100-year-old murder, and a drunken would-be killer. Not quite as good as Ammie, Come Home (Berkley, 1989) or Be Buried in the Rain (Berkley, 1987), but close. Lots of gardening detail makes things even more interesting. Previewed in Prepub Alert, LJ 4/15/92; for an interview with Elizabeth Peters, a.k.a. Barbara Michaels, see "The Three Faces of Mertz/Peters/Michaels," p. 128.--Ed.
- Bettie Spivey Cormier, Charlotte-Mecklenburg P.L., Charlotte, N.C.Copyright 1992 Reed Business Information, Inc.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
