From Publishers Weekly
Seventeenth-century Tokyo is the setting for Rowland's debut novel, a murder mystery starring the Senior Police Commander in the district of Edo. Sano Ichiro, a samurai whose academic background puts him at odds with most of his peers, discovers two bodies in the Sumida River, a man and woman bound together in what appears to have been a shinju, or "double love suicide." The man is a peasant, the woman the high-born daughter of an important official. Told by his superior to close the case without an investigation, Sano, suspecting murder, determines to investigate on his own. He orders an illegal autopsy and learns that the victims did not drown but cannot make his discovery known. Amidst many tribulations, he uncovers a trail of corruption and intrigue that ultimately leads him to suspect a member of a royal family. Replete with convincing details, the setting's time and place provide lively and diverting passages; the plot, however, twists only occasionally before its fairly predictable, politically rooted resolution. Rowland crafts a competent mystery her first time out, shows sure command of her background material and demonstrates that she is a writer of depth and potential.
Copyright 1994 Reed Business Information, Inc.
This text refers to an alternate
Hardcover
edition.
From Library Journal
As a newly appointed yoriki (senior police commander), Sano Ichiro is expected to obey his superior's order to treat the deaths of an upper-class woman and a commoner as a shinju (ritual double suicide). Sano believes the two were murdered and doggedly continues to investigate, risking his job and his life. He gradually uncovers a plot against the shogun himself. The best part of this first novel is the splendid evocation of late 17th-century Edo. The descriptions of the stratified society, the details of everyday life, and the sights and sounds of the city that will later become Tokyo are vivid and compelling. Readers intrigued with unusual settings for their mysteries will enjoy this work. Others may not be able to ignore the paper-thin characterizations and the coincidence-strewn plot. The last paragraph leaves an opening for a sequel. Only large pop fiction collections need consider.
--Nancy Pearl, Washington Ctr. for the Book, SeattleCopyright 1994 Reed Business Information, Inc.
This text refers to an alternate
Hardcover
edition.