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That Great Lucifer: A Potrait of Sir Walter Raleigh
 
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That Great Lucifer: A Potrait of Sir Walter Raleigh (Paperback)

de Margaret Irwin (Author)
5.0étoiles sur 5  Voir tous les commentaires (1 évaluation de client)

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Review

'IK doubt if anyone could create more perfectly than Miss Irwin the illusion of a vanished age' The Observer - 'The book is not simply a good biography ... but a vision' Times Literary Supplement - 'Margaret Irwin's books have an unsurpassed colour and gusto' PAMELA HANSFORD JOHNSON - 'To her brilliant sense of period, Miss Irwin adds an artist's view of relativity' Country Life.

Product Description

No lover of history can fail to recognize in the man who cast his cape gracefully across a puddle to protect the feet of his queen, the symbol of the Elizabethan Age. For Sir Walther Raleigh was more, much more than the courtier portrayed in the painting. He was truly the Elizabethan incarnate - soldier, sailor, captain of the Queen's guard, explorer and colonizer of the New World, poet, scientist, military engineer and literary patron.

In an age both cruel and romantic, the figure of Sir Walter Raleigh stands high above the contemporaries who eventually cast him down. He it was who devised the plan that brought about the destruction of the Armada, who sailed into Cadiz harbor to grapple with Philip of Spain's war fleet and who, before he laid his head on the block, called to the headsman to let him feel the edge of the axe.

Margaret Irwin was a noted authority on the Elizabethan Age. In this biography she brings all her skills as a historian and novelist in telling the story of this most remarkable Englishman.

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1 internautes sur 1 ont trouvé ce commentaire utile :
5.0étoiles sur 5 The last great Elizabethan, Janv. 4 2003
Par Elaine Cunningham (New England) - Voir tous mes commentaires
(REAL NAME)   
Everyone knows Sir Walter Ralegh as the gallant courtier who spread his cloak across a puddle so that his queen might pass dry-shod. A commoner who never lost his thick Cornish accent, Ralegh was nevertheless precisely the sort of man likely to catch Elizabeth's eye: handsome, intelligent, witty, well-spoken, and possessed of enough pride and independence to speak his mind, even to his queen. The term "Renaissance man" seems coined with Ralegh in mind: He was a poet, soldier, privateer, explorer, scientist, historian.

He could also be stunningly naive, and surprisingly inept at the art of courting favor. His first meeting with James I, Elizabeth's successor, was a disaster. Accustomed to priviledge, Ralegh approached James unannounced, even though the king heartily disliked such surprises. When James observed that he might have had to fight for the throne, Ralegh's response was, "Would to God you had! Then Your Majestry would have known your friends from your foes." An honest sentiment and possibly a shrewd one, it not the sort of observation likely to endear him to the new king. James already had reason to be wary of Ralegh, for some of Ralegh's enemies had been plying James for months with negative reports. Ralegh's recent behavior seemed to support these dark hints: he was one of the few dignitaries who did not bother to contact James after Elizabeth's death to assure the new sovereign of his loyalty. Worse, Ralegh presented the peace-loving king with a proposal for seizing the West Indies from Spain. James had been told that Ralegh was a warmonger and possibly a traitor. With his own eyes he perceived another, more subtle threat: this handsome, powerful, and persuasive man was a living reminder of Elizabethan glories.

Ralegh's fall from power during the reign of James I was as swift and spectacular as his rise under Elizabeth had been. His enemies rejoiced, as did the common folk who then and now love to see the mighty brought low. Ralegh's greatest triumph, perhaps, was the courage and wit he exhibited through his trial, imprisonment, and execution. In a last interview with a friend, he advised him to come to the beheading early if he wished to get a place. "As for me, my place is assured," he quipped. His last words, spoken to the hesitant executioner, were, "What dost fear? Strike, man, strike!"

Margaret Irwin is a novelist as well as a historian, and this comes through in the tone and quality of her writing. This biography is far more entertaining than most fictorical fiction I've read. It's full of telling anecdotes, vivid descriptions, and dead-on characterizations. Considering the complexity of her subjects and the paradoxical nature of Ralegh himself, this is a remarkable achievement.

One minor disappointment was the lack of a bioliography; there were several incidents and anecdotes that I would have liked to explore in more depth. Even so, it's an entertaining story, as well as a window into a fascinating time.

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