From Amazon.co.uk
In this remarkable new biography, Peter Ackroyd offers a different view of Dickens to that presented in his earlier study of the author. In that book, Ackroyd's attempts to mimic the voice of the great writer were highly controversial, though some saw the book as a radical re-invention of the biography form. There is no arguing with the brilliant achievement of the more straightforward
Charles Dickens: Public Life and Private Passion, however; the picture of Dickens and his complicated private life that emerges is fastidiously detailed and powerfully evocative, while Ackroyd's customary skill at creating a panoply of the city of London is as dazzling as ever (
London, is, in fact, the subject of another biography by the author, who is unquestionably the keenest chronicler of the city's colourful history). Here, Ackroyd attempts to peel away the mask of a man whose life was outwardly a picture of Victorian rectitude, but whose love life was as complicated (and unconventional) as any modern writer. Dickens had everything--fame, success and riches--but he died harbouring a deep sadness he had experienced all his life. He was a man of mercurial character, had enormous vitality and humour, but he also had a sense of loss and longing that would constantly appear in his work. Like many eminent Victorians, he led a double life: although he insisted that nothing in the newspapers he edited should upset his middle-class readers, he regularly indulged in dubious night-time escapades with fellow author Wilkie Collins, and, for the last 13 years of his life, kept a secret mistress.
While presenting a warm but astringent portrait of the man who (along with George Eliot) can be classed as the greatest writer of his age, Ackroyd also masterfully recreates the relationship with the actress Ellen Ternan, a strong and intelligent woman (herself the subject of a biography by Claire Tomalin, The Inviisble Woman who, like her lover, outwardly observed the proprieties while living her real life behind closed doors. Ackroyd also vividly conjures the reality of Victorian life, the issues that sparked Dickens' fervent call for social reform, and the great landmarks of the time, which profoundly affected his life and work. --Barry Forshaw
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Publishers Weekly
Ackroyd ( The Last Testament of Oscar Wilde ) is a master biographer with a seductive prose style, and this massive volume is likely to stand as the Dickens biography for decades to come. Ackroyd moves around with authority in the world of the ebullient, ambitious, insecure, haunted, theatrical genius, which is also the world of early and mid-Victorian England assimilated and transformed to a stupefying degree. We read about Dickens's penurious and painful childhood; the triumphant reception of his first novel, The Pickwick Papers ; the prodigious flow of subsequent novels which, though increasingly somber in tone, continued to reflect a mind whose primary reaction to experience was anarchic laughter; the two trips to America, for the most part wildly successful; the scandal surrounding Dickens's desertion of his wife. And Ackroyd pinpoints Dickens's two great innovations: he was the first to introduce the language of the romantic poets into the novel; and his dramatic public readings from his novels constituted a new art form. Illustrations. Major ad/promo; BOMC main selection.
Copyright 1991 Reed Business Information, Inc.
