From Amazon.co.uk
Jostein Gaarder is not one to shirk at the larger questions: who are we? and where does the world come from? In his latest novel,
Maya, he once again addresses life, the universe and pretty much everything else, concentrating on the existence of God, the evolution of life as we know it, the nature of consciousness and the meaning behind it all. It's weighty stuff for a mere 300 or so pages of prose, and Gaarder is not entirely successful in dealing with these issues in a readable manner.
The novel is set in Madrid and on the unspoiled Fijian island of Taveuini. Frank Andersen, a Norwegian evolutionary biologist who feels "oppressed by the grief that the lack of spirit and permanence in our existence brings", meets up with a beautiful Spanish Flamenco dancer, Ana, her companion Jose, and an English writer from Croydon, John Spoke. They then discuss the big issues. This is where the problem arises; there is too much discussion of ideas and not enough emotional involvement or development of characters. They exist merely as mouthpieces for different theories. Gaarder then adds a bewildering supernatural dimension. There is Ana and Jose's manifesto, a mystical dialogue that describes the creation and evolution process in a series of self-consciously obscure metaphors to consider; hints of past lives; a time-travelling dwarf; and an enigmatic photograph. All this excitement sits uneasily with the almost pedantic prose style.
Gaarder's forte is to incorporate challenging themes into a flowing, imaginative narrative. The author's earlier novel,Sophie's World, has been a phenomenal success; the novel has sold over 16 million copies, been translated into 42 languages and is a whistle-stop tour of philosophy, from Socrates to Sartre. Unfortunately in the case of Maya, the story fails to grip the reader enough and lacks the fluidity of prose that made Sophie's World such a delight to read. --Eithne Farry
--This text refers to an out of print or unavailable edition of this title.
Book Description
A chance meeting on the Fijian island of Taveuni is the trigger for a fascinating and mysterious novel that intertwines the stories of John Spooke, an English author who is grieving for his dead wife; Frank Andersen, a Norwegian evolutionary biologist estranged from his wife Vera; and an enigmatic Spanish couple, Ana and Jose, who are absorbed in their love for each other. Their stories are so strewn with mysteries and illusions that it is hard to say where one ends and the next begins, or if the accounts the characters give of themselves can be believed. Why does Ana bear such a close resemblance to the model for Goya's famous Maja paintings? What is the significance of the Joker as he steps out of his pack of cards? As the action moves from Fiji to Spain, from the present to the past, unfolding further stories within the stories, the novel reveals an astonishing richness and complexity. Maya debates and unravels the questions that give meaning to the lives of the characters – and to our own. At the same time it explores our ideas of the necessity for love. As bold and imaginative in its sweep as Sophie's World, it shows again that Jostein Gaarder's unique and special gift is to make us wonder at the awe-inspiring mystery of the universe.
--This text refers to an out of print or unavailable edition of this title.
