From Amazon.co.uk
Richard Morgan's debut SF thriller
Altered Carbon isn't for the faint-hearted. Its
noir private-eye investigation races through extreme violence, hideously imaginative torture and many high-tech firefights.
In 2411, death is not forever. Afterward, they can read your personality from an implanted "cortical stack" and upload you into a new body--at a price. Hero Kovacs has worn many bodies on different worlds as a former member of the UN Envoy Corps, programmed killers to a man. Now the incredibly rich Bancroft brings him to Earth to investigate a killing... of Bancroft himself, restored from his digital backup and rejecting the police theory of suicide.
Half the vice-lords of 25th-century San Francisco are soon chasing Kovacs with futuristic surveillance, drugs and weaponry. Virtual-reality interrogation means they can torture you to death, and then start again. There's a bleak slave trade in rented or confiscated bodies--and Kovacs finds his current borrowed face is all too well known to both police and underworld.
Ultraviolent set-pieces follow, sprinkled with philosophical asides such as this reflection on a stungun: "It was the single forgiving phrase in the syntax of weaponry I had strapped around me. The rest were unequivocal sentences of death."
There are some James-Bondian implausibilities, such as Kovacs's final confrontation with the villain he's sworn to kill: rather than shooting and leaving fast, he discusses the plot for 10 pages until... but that would be telling. This is high-tension SF action, hard to put down--though squeamish readers may shut their eyes rather frequently. --David Langford
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Publishers Weekly
This fast-paced, densely textured, impressive first novel is an intriguing hybrid of William Gibson's Neuromancer and Norman Spinrad's Deus X. In the 25th century, it's difficult to die a final death. Humans are issued a cortical stack, implanted into their bodies, into which consciousness is "digitized" and from which-unless the stack is hopelessly damaged-their consciousness can be downloaded ("resleeved") with its memory intact, into a new body. While the Vatican is trying to make resleeving (at least of Catholics) illegal, centuries-old aristocrat Laurens Bancroft brings Takeshi Kovacs (an Envoy, a specially trained soldier used to being resleeved and trained to soak up clues from new environments) to Earth, where Kovacs is resleeved into a cop's body to investigate Bancroft's first mysterious, stack-damaging death. To solve the case, Kovacs must destroy his former Envoy enemies; outwit Bancroft's seductive, wily wife; dabble in United Nations politics; trust an AI that projects itself in the form of Jimi Hendrix; and deal with his growing physical and emotional attachment to Kristin Ortega, the police lieutenant who used to love the body he's been given. Kovacs rockets from the seediest hellholes on Earth, through virtual reality torture, into several gory firefights, and on to some exotic sexual escapades. Morgan's 25th-century Earth is convincing, while the questions he poses about how much Self is tied to body chemistry and how the rich believe themselves above the law are especially timely.
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