From Publishers Weekly
Set in 1905, Martin's second Jim Stringer mystery (after 2004's The Necropolis Railway) starts slowly but builds a head of steam like the monster locomotive Jim stokes for "Lanky," the Lancashire and Yorkshire Railway. A passenger dies when a huge grindstone on the tracks derails a train on an excursion to seaside Blackpool. Jim begins to suspect class warfare when a young socialist distributes tracts in Jim's hometown of Halifax, urging workers to shun holidays organized by mill owners. A fallen tree on another rail line further suggests conspiracy, as does the disappearance of smartly dressed Clive, the engine driver on Jim's next run. Lanky management's paltry £5 reward hardly seems likely to garner much information, so newlywed Jim turns to comely Lydia, a mill clerk he simply calls "the wife," for much needed help. Getting used to Jim's chatty Cockney narration takes time, but as the suspense rises, readers will be captivated.
--This text refers to the
Paperback
edition.
From Booklist
Second in the series starring Edwardian-era steam locomotives (the first was The Necropolis Railway, 2007), this has all the virtues of the first: strong background on early-twentieth-century British railroading and a suitably dark and dank atmosphere. These characteristics, however, are less compelling the second time around (except to die-hard railroad fans), as the atmosphere and pacing become somewhat overplayed and relentless. This time out, the young series hero, Jim Stringer, copilots one of the huge locomotives called Highflyers on excursion trips (in 1905) to the Blackpool seaside and music halls. The first run is disrupted by a grindstone on the tracks, causing a derailment and one woman's death; Stringer later learns that the same accident occurred on another line the same day. The tension builds as Jim must find whoever is staging the accidents before more people are killed. Martin's descriptions of old music-hall acts add some zest to the tale. This still has the makings of a strong series, if Martin can master the trick of varying the mood and tempo enough to hold his readers. Fletcher, Connie
--This text refers to the
Paperback
edition.
by Andrew Martin
by Andrew Martin
by Andrew Martin
by Edward Marston
by Edward Marston
