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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Excellent suspense story with rounded characterizations., Aug 30 1999
By A Customer
Above average for Ruth Rendell with unremitting suspens and round up characters, this book could be termed "superb" by any other author; for Ruth Rendell, it is merely excellent. Contrary to the view of the reader from Riga, Ruth Rendell, to me, is of the same category as Dorothy Sayers - stylishly erudite. P. D. James I would classify with Agatha Christie, with a pedestrian style and unmemorable characterizations.
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4.0 out of 5 stars
A worthy addition to the Wexford series, Jan 15 2001
By A Customer
No More Dying Then is worth reading. It stands on it's own, and it is a worthy addition to the Wexford series. I've been reading Rendell for a couple of years now, primarily because Elizabeth George's work is so often compared to hers. I find the comparison complimentary to both authors. Rendell's early work, including No More Dying Then, is less complex in plot and character development than both her later work and all of George's work. Regardless, Rendell's stories are interesting, and her characters are believable. No More Dying Then is generally a satisfying work. The relationships and thought-processes are well-crafted and authentic. The red herrings are fun, and the ending is a bit of a suprise. Plus, there is enough bizarre and deviant behavior to entertain a second milennium audience without excruciating detail, for those of us who prefer not to know too much...I have been reading Rendell's work in order of publication (a personal preference when authors are as prolific as she), and I have thoroughly enjoyed the development of both Wexford and Burden. I get the feeling that Rendell likes her main characters and cares about their lives. As a result I care about them, and want to know more about them.
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4.0 out of 5 stars
Poignant and suspenseful fiction., May 24 1999
By A Customer
Written around 1970, this mystery about the abduction and possible murder of two children in Sussex holds up today. In fact, one major plotline reminded me of the 90s bestseller, *The Deep End of the Ocean.* Rendell's writing is often compared, justifiably, to P.D. James'; her grasp of psychology, particularly the psychology of grief and loneliness, is profound and poignant. From the characters of Inspector Burdin and his sister-in-law Grace to those of the villain(s) and victim(s), Rendell has rendered real sensate beings whose pain and terror we share.
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