The Maltese Falcon [Large Print] (Hardcover)

Perhaps the single most extraordinary thing about the novel is its radical departure from the norm. In the 1920s and early 1930s, detective novels were not really considered "literary;" they were light entertainment, and they generally came in two varieties: pure pulp, which was more akin to action-adventure, and "the master detective" as created by such authors as Agatha Christie. In one fell swoop, however, Hammett not only fused these two ideas but also endowed his novel with tremendous literary style--more than enough to catch the eye of "serious" critics and more than enough to stand the test of time.

THE MALTESE FALCON is not a long novel, but Hammett packs a lot into it. The plot, which generally concerns the theft of a priceless, jewel-encrusted statue, walks a fine line between pulp mythology and modern pragmatism, never veering too far in either direction to seem impossible; the prose is lean and clean and packed with detail conveyed both simply and sharply; the characters stand out in a sort of high relief on the page. It is all memorable stuff.

It is difficult to discuss THE MALTESE FALCON without reference to the famous 1941 film version starring Humphrey Bogart and Mary Astor. The film has been both a blessing and a curse, so famous that it has drawn thousands of readers to the novel, but so widely seen that it can become difficult to read the novel without seeing it through the lens of the film. But while the film presents the plot and much of Hammett's dialogue intact, readers will find the novel has somewhat different strengths--not the least of which is Hammett's prose itself. An essential of 20th Century American literature; strongly recommended.

GFT, Amazon Reviewer

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So, why did I bother reading The Maltese Falcon? Well, like most people I assume, I saw the movie starring Humphrey Bogart, and was hooked. Initially after first seeing the movie I had no idea there was actually a book which it was based off of. Then I noticed it at first on the Barnes and Noble bags, and figured that to be some sort of sign that I should go and read this book. Initially however I just placed it in my reading pile writing it off for the fact that it was just a detective novel, and probably would probably be no where as good as the movie was. So sadly it sat in my room unread for almost 3 months, then one day since I was nearing the bottom of my stack of books waiting to be read I grabbed and decided to just suck it up and read it since I had already spent the money for it. Let me tell you I sat and read almost the entire book that night!

Hammett's style of writing is tight, with all the details, suspense and mystery you're pulled through the entire novel from cover to cover. Spade's character is certainly "rough" and in the book is described as a "blond Satan" and believe me it's easy to see why. I'll spare going into the entire plot for you since it seems just about every other review already has that. But believe me you should definitely read this book, even if Detective stories aren't your thing, you won't be disappointed.

My one complaint, which really isn't a complaint, is that if you've seen the movie, you've basically already read the book. The dialogue is word for word from the text, I don't think a single thing was changed. While reading the book all I could think of when I though of Sam Spade was Humphrey Bogart (who looks nothing like the Spade described in the book, but that doesn't matter), and the same thing for the other characters. I heard their voices reciting the text for me, and thought of the scenery of the movie as well. That's just how great the casting was in the movie. The only thing lacking are a few sub-plots, nothing really important and Joel Cairo's homosexuality was pretty much removed from the movie completely. Otherwise it's the same thing, not that that's a bad thing however.

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Featuring the irrepressible straight-shooter Sam Spade and his unforgettably cunning and sexy female counterpart Brigid O'Shaughnessy, The Maltese Falcon has enough twists and turns to make your head spin. As if these two indelible characters and the super suave dialogue weren't enough, Hammett throws in such incomparable characters as The Fat Man (appropriately named Gutman), the effeminate weasel Joel Cairo, and, of course, the relentlessly maligned Wilmer, or The Undersized Shadow as the chapter is titled.

Despite all of these great characters that complement the story, none shines as brightly as our gruff, cynical, and mercilessly shrewd hero and lady's man, Sam Spade. He means what he says and says what he means - you gotta love it. If you even remotely value fine (and highly entertaining) literature that is a great read even after having seen the equally great movie, then add this to your wish list today.

"By Gad, sir, you are a character!" - Gutman to Spade

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