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5.0étoiles sur 5
A True Classic, Mars 21 2004
I was exposed to Conrad when I took a course in Modern Fiction as an undergraduate, 20 years ago. I took the course as an elective to fill a lit requirement. It was one of the best courses I've ever taken, and of all the tremendous books that were assigned, this was my favorite. I have read this at least 1/2 dozen times in my life. I WAS glad, however, that I had a literary scholar walk through this one. I doubt I would have appreciated it as much had I not. I would therefore recommend the critical edition if you're reading this on your own. Modern Fiction - the literary period from circa 1900 to the mid-fifty's, is not everyone's cup of tea and can understand the negative reviews. The best of these works are dense, relative to today's standards but worthwhile - at least to me. Simply, they don't make'em like this anymore. After reading Heart of Darkness, take another look at Apocalypse Now, the best film adaptation of a novel - ever. Dark, hypnotic, surreal - Heart of Darkness stands alone as a unique classic of american literature.
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4.0étoiles sur 5
An amazing novel, Oct. 7 2003
~This was the first novel I read by Joespeh Conrad, and I just finished reading it again a few days ago. This book is one of the most interesting stories that also examines the character of a man. Marlow is an older sailor who tells the tale of his time as captain of steamship in Africa. He works for a an ivory trading company, and his mission is to go up river to Kurtz's station. Marlow vividly recalls his thoughts and feelings from his trip up the river. After an introduction to how he~~ came to his position, we join Marlow in Africa as he is awaiting his command. It is here that he first hears of the extraordinary Kurtz. The manager, who seems greedy, and his brick layer, who wants to be Assistant manager, don't like Kurtz. But the more Marlow hears about Kurtz, the more he wants to talk with him. As he repairs his ship, as he sails up river, his anticipation builds. Nearing Kurtz's station, I could feel Marlow's angst when he believes Kurtz dead. The man Kurtz had been~~ was no more. He had become someone else, a man with power. The desire for more ivory had possessed him. In his last words, Kurtz reveals his opinion on life and the relationships therein: "the horror, the horror." The story remains one of my favorites.~
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3.0étoiles sur 5
Psychological rather than political, Aoû 15 2003
Marlow, a British sailor at the turn of the century, recounts his search for a certain Mr. Kurtz, along a river in Congo, to an anonymous "I." The book is a monologue told over a single evening. The emotions Marlow displays are awe (towards Kurtz), disdain (towards the misdeeds of the company Marlow works for and the misdeeds of the "natives"), and fear. The intensity of such emotions draws one to follow the monologue till the end. I grew interested in this novel due to the ubiquitous references to it in contemporary political literature. The book I found however to be of psychological nature more than anything else. Never once while reading was I convinced that ideology was the crux of the matter. To the contrary I felt as if imperialism/colonialism were used as articles to justify the existence of the puzzle that was Kurtz. Conrad may have intended Kurtz, in his bleakness and contradictions, to be an embodiment of such ideologies, as contemporary critics like to put it. Such arguments naturally lend themselves to the interpretation that this novel is a critique of imperialism. It may well be, if one can assume that Conrad understood the highly politicized term "imperialism" as we do now. I suspect that this novel is instead really a critique, or a report, of "the present," the circumstance Conrad had experienced.
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