The Jupiter Myth [Audiobook] (Audio Cassette)

In the first century A.D., Roman Britain is still fresh, Rome is still an expanding power, and Britain is the ragged edge of Empire. Still, Roman customs are being introduced to Britain--baths, gladiators, olives, and wine. And the gods, of course. But it takes a while for Falco to determine that there is a connection between all of the wineshops, whorehouses, and theaters named after Jupiter. The connection is the gang--a gang that is another very Roman innovation in Britain. And it turns out that Falco and his best friend Petronius Longus had faced that gang before, back in Rome.

Author Lindsey Davis does a fine job drawing a picture of early Empire law enforcement. In each of the Falco books, Falco seems to emerge as a more interesting character and his relationship with Helena continues to deepen. Politics and corruption are not modern inventions and Davis describes the ancient version of the Mafia in intriguing detail. In THE JUPITER MYTH, Falco spends a lot of time chasing badguys, battling for his life and generally adventuring rather than sneakily crime-solving, but that doesn't keep MYTH from being an exciting story and even, occasionally, a heart-warming romance.

The Jupiter Myth was fairly well executed, but it had two major problems.

First of all, Falco works best when he alternates between the provinces and Rome. Two books in the same province (Body In The Bathhouse, Jupiter Myth) are too much. Especially a province where he has already been (The Silver Pigs). It is obvious that for a British author there is a certain natural appeal to setting the books in Britain, but I'd rather see Falco continue to be on the move. The endless references to Britain's weather are somewhat trying (especially to a reader from a rainy climate, like me). I want to just shake Falco and tell him, "Get over it, already!"

The second problem is the Helena dispute. It seems so forced. Falco has a rough past, but never once has he been anything but devoted to Helena since they first met. Why now would she suddenly take seriously a chance meeting with an old flame? I think Davis is looking for a substitution for the old tension between Falco and Helena from back before Falco was established enough for them to securely marry. This isn't the right way to do it, though. It just seems out of character for Helena.

The story was also rather grim, almost as grim as The Silver Pigs. Beloved children die, mobsters corrupt the town, problems erupt between Helena and Marcus, a very morose Petro wanders around in a funk ... it certainly is not a happy story. Even for a murder mystery.

On the whole, though, I liked it. Falco and Helena are still engaging characters, and their companions are all nicely three dimensional. I look forward to the return to Rome.

Perhaps what is needed is a new perspective. I wonder what a Falco book would be like from Helena's point of view? Or Petro's?