From Publishers Weekly
In this wittily irreverent picture-book biography, the legendary baroque composer is vividly brought to life. "You'd have to be sure of yourself to wear a wig that gigantic," the author points out archly on the first page, commenting on an accompanying portrait of George Frideric himself. Meanwhile, perched above the ornately decorated text box, a fly (as in "fly on the wall") looks on. This sort of sassy visual and verbal repartee sets the tone for a fresh and funny take on history, and Anderson (Burger Wuss) does a bang-up job of condensing and explaining the major (and more colorful minor) events of the composer's larger-than-life career. For his part, Hawkes has a field day slipping in sly visual asides, including an ancestral portrait that looks down in surprise at the young Handel smuggling a clavichord past his disapproving parents, and a pair of feuding divas in a catfight. Like all grand opera, there's pathos as well, most particularly in the events surrounding the writing of the "Messiah," and Hawkes's lush and sweeping acrylic paintings pick up on the more poignant as well as the puckish elements. The author comically debunks popular myths as well, such as the tradition of a standing ovation during the "Hallelujah Chorus" originating with the king: "This story is almost certainly not true, but it is a good story nonetheless." Unobtrusive sidebars explain a variety of musical terminology, and a discography and timeline of Handel's life are also included. These gifted collaborators deserve a Hallelujah Chorus of their own for this volume, as well as a request for a speedy encore. Ages 8-12.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Gr 1-5-In this picture-book biography, both illustration and text are characterized by a saucy style, impeccable pacing, and a richness of content, and the two harmonize splendidly in a manner befitting the subject. Anderson's words and anecdotes are well chosen, and his sense of timing heightens impact whether describing mischievous childhood antics of the classical composer (the boy smuggling a clavichord past unsuspecting parents) or solemn occasions (the circumstances surrounding the creation and performances of the Messiah). The author is also adept at conveying the spirit and flavor of Handel's music. Hawkes's highly textured acrylics manage to combine depth and drama with a great sense of fun. Double-page spreads display a shimmering River Thames during a performance of Water Music as well as ornate opera halls and drawing rooms. Close inspection of the scenes and the elaborately carved frames surrounding the text reveal comedic cameos. The attention to detail extends to a whimsical, scrolled Latin copyright message and graceful gold arabesques on the endpapers. Clear definitions of technical terms are embedded in decorative panels throughout. This performance is worthy of a standing ovation.
Wendy Lukehart, Washington DC Public Library
Copyright 2001 Cahners Business Information, Inc.
