From Publishers Weekly
In Harlan's exciting sequel to Wasteland of Flint (2003), which imagined a future dominated by a triumphant Japanese-flavored Aztec empire, numerous intelligent species are chafing beneath the Imperial power on the turbulent planet Jagan in a distant galaxy. After a slow start to bring those who haven't read Wasteland up to speed, the plot takes off, propelled by credible characters of various ilks. Gretchen Anderssen, a Swedish xenoarcheologist who seeks to delve into the ancient past, makes a modest, engaging heroine, but it is Malakar, an elderly lizard female, who is the most compelling figure. Through this alien creature's sad and sibilant language the author gradually reveals that Malakar's own race, the Jehanan, is not native to Jagan. This clue helps lead Gretchen to the horrendous secret of the mysterious "House of Reeds." Other distinctive characters include Tezozómoc, the Emperor of Méxica's weak, vain youngest son, who ultimately achieves a measure of manhood; Itzpalicue, a fascinating old woman who pulls the strings that maintain Imperial power; and Mitsuharu Hadeishi, the brave captain of a military space cruiser. Harlan clearly pays homage to Jack Vance and other classic writers of SF's Golden Age, but in devoting about a third of the book to the mechanics of fighting, he too often loses sight of the human story at the novel's center.
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From Booklist
Gretchen Anderssen and her team are shunted from long-overdue leave to the investigation of a rumored First Sun artifact on the obscure planet Jagan. There they land in the middle of a "flowery war" arranged by the priests to improve the emperor's youngest son, Tezozomoc's, reputation. And Gretchen can't get a permit for the main site on Jagan, because of university politics and the archaeologist already working at it. But then she gets a tip about one city's oldest building, the House of Reeds. She befriends an aging member of the other species present, though also non-native, on Jagan. He is a former gardener, and with him she enters the House of Reeds and experiences a vision of the past so frightening that, prompted by the warning of an alien power that could destroy humanity, she promises to hide it from the Company. In a setting far from the barren world of
Wasteland of Flint [BKL Ap 15 03], the mystery of the long-gone forerunners of the empire Gretchen knows develops equally grippingly.
Regina SchroederCopyright © American Library Association. All rights reserved