From Publishers Weekly
With its complexities of plot and character, Hunts fast-paced space adventure, the third book in his Dark Wing series (after 2003s The Dark Path), rises above the humdrum repetitions typical of this SF subgenre. In exploring the universe in the far future, humans have fought a war with the zor race, birdlike aliens whose mental communication entails an intricate religious devotion to the legends of their hero, Quu, and to a lost magic sword, the gyaryu. That war is now long past. Human and zor, along with the noncombatant raskh, work together to battle a race of implacable mind-controllers, the vuhl, who can also take on other shapes and infiltrate space stations and ships as well as entire cultures, bending all to their will. Jackie Lappierre, a human whos been connected to the hsi of her dead zor friends, finds herself appointed to retrieve their sword and use its powers to confront the vuhl. Keeping track of the playersthe heroes and the villains, alive and deadis a delightful challenge. So is distinguishing the manipulated from the manipulators. The many borrowings from Zen Buddhism and Taoist philosophy, not to mention the resemblance of the zor language to the old style of transliterated Chinese, add depth and interest.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
The human-zor war (see
The Dark Wing, 2001) is long over, and the now-allied former foes face the shape-changing vuhl, who enjoy their share of devastating victories. Still, the zor and humans were warned and don't entirely lack resources. But something is going on that isn't quite right. The power behind the vuhl, which was also behind the human-zor conflict, has motives that are only hinted at here. Suffice it to say that the history of the zor does not match its legend. Ex-commodore Jackie Lapierre, forced into playing out a zor legend in
The Dark Passage (2002), can choose among different courses this time, and the vuhl are finally thrown into confusion when roundly defeated. They react with a regime change, but the wars' mysterious backers continue playing strange games, occasionally seeming to help human forces, more often supporting the vuhl--always pursuing goals that may not coincide with those of ostensible allies. This surprisingly thoughtful space opera, lacking neither adventure nor battles, considers issues of genocide and enmity in surprising depth.
Regina SchroederCopyright © American Library Association. All rights reserved