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Imager (Mass Market Paperback)

by L. E Modesitt (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)
Price: CDN$ 9.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Product Description

Excerpt. © Reprinted by permission. All rights reserved.

1
743 A.L.
Commerce weighs value, yet such weight is but an image, and, as such, is an illusion.
The bell announcing dinner rang twice, just twice, and no more, for it never did. Rousel leapt up from his table desk in the sitting room that adjoined our bedchambers, disarraying the stack of papers that represented a composition doubtless due in the morning. “I’m starved.”
“You’re not. You’re merely hungry,” .fully placing a paperweight over the work on my table desk. “‘Starved’ means great physical deprivation and lack of nourishment. We don’t suffer either.”
“I feel starved. Stop being such a pedant, Rhenn.” The heels of his shoes clattered on the back stairs leading down to the pantry off the dining chamber.
Two weeks ago, Rousel couldn’t even have pronounced “pedant,” but he’d heard Master Sesiphus use it, and now he applied it to me as often as he could. Younger brothers were worse than vermin, because one could squash vermin and ..ferred that I follow him as a factor but had acknowledged that I had little interest, I’d be out of the house before Culthyn was old enough to leave the nursery and eat with us. As for Khethila, she was almost old enough, but she was quiet and thoughtful. She liked it when I read to her, even things like my history assignments about people like Rex Regis or Rex Defou. Rousel had never liked my reading to him, but then, he’d never much cared for anything I did.
.ing through the archway from the parlor where he always had a single goblet of red wine—usually Dhuensa—before dinner. Mother was standing behind the chair at the other end of the oval table. I slipped behind my chair, on Father’s right. Rousel grinned at me, then cleared his face.
“Promptness! That’s what I like. A time and a place for everything, and everything in its time and place.” Father cleared his throat, then set his near-empty goblet on the table and placed his hands on the back of the armed chair that was his.
“For the grace and warmth from above, for the bounty of the earth below, for all the grace of the world and beyond, for .fer our thanks and gratitude, both now and evermore, in the spirit of that which cannot be named or imaged.”
“In peace and harmony,” we all chorused, although I had my doubts about the presence and viability of either, even in L’Excelsis, crown city and capital of Solidar.
Father settled into his chair at the end of the table with a contented sigh, and a glance at Mother. “Thank you, dear. Roast lamb, one of my favorites, and you had Riesela fix it just the way I prefer it.”
If Mother had told the cook to fix lamb any other way, we all would have been treated to a long lecture on the glories of .tions.
After pouring a heavier red wine into his goblet and then into Mother’s, Father placed the carafe before me. I took about a third of a goblet, because that was what he’d declared as appropriate for me, and poured a quarter for Rousel.
When Father finished carving and serving, Mother passed the rice casserole and the pickled beets. I took as little as I could of the beets.
“How was your day, dear?” asked Mother.
“Oh . . . the same as any other, I suppose. The Phlanysh
imager
wool is softer than last year, and that means that Wurys will complain. Last year he said it was too stringy and tough, and that he’d have to interweave with the Norinygan . . . and the finished Extelan gray is too light . . . But then he’s half Pharsi, and they quibble about everything.”
Mother nodded. “They’re different. They work hard. You can’t complain about that, but they’re not our type.”
“No, they’re not, but he does pay in gold, and that means I have to listen.”
I managed to choke down the beets while Father offered another discourse on wool and the patterned weaving looms, and the shortcomings of those from a Pharsi background. I wasn’t about to mention that the prettiest and brightest girl at the grammaire was Remaya, and she was Pharsi.
.ested in what feeds you, Rhennthyl.”
“Sir . . . I was listening closely. You were pointing out .chinery produced a tighter thread weave, the women loom .age is up, which increases costs—”
“Enough. I know you listen, but I have great doubts that you care, or even appreciate what brings in the golds for this household. At times, I wonder if you don’t listen to the secret whispers of the Namer.”
“Chenkyr . . .” cautioned Mother.
Father sighed as only he could sigh. “Enough of that. What did you learn of interest at grammaire today?”
.ing about. “Father . . . lead is heavier than copper or silver. It’s even heavier than gold, but it’s cheaper. I thought you said that we used copper, silver, and gold for coins because they were heavier and harder for evil imagers to counterfeit.”
“That’s what I mean, Rhennthyl.” He sighed even more loudly. “You ask a question like that, but when I ask you to help in the counting house, you can’t be bothered to work out the cost of an extra tariff of a copper . . . or work out the costs for guards on a summer consignment of bolts of Acoman prime wool to Nacliano. It isn’t as though you had no head for figures, but you do not care to be accurate if something doesn’t interest you. What metals the Council uses for coins matters little if one has no coins to count. No matter how much a man likes his work, there will be parts of it that are less pleasing—or even displeasing. You seem to think that everything should be pleasing or interesting. Life doesn’t oblige us in that fashion.”
“Don’t be that hard on the boy, Chenkyr.” Mother’s voice was patient. “Not everyone is meant to be a factor.”
“His willfulness makes an ob look flexible, Maelyna.”
“Even the obdurates have their place.”
I couldn’t help thinking I’d rather be an obdurate than a mal. Most people were malleables of one sort or another, changing their views or opinions whenever someone roared at them, like Father.
“Exactly!” exclaimed Father. “As servants to imagers and little else. I don’t want one of my sons a lackey because he won’t think about anything except what interests or pleases him. The world isn’t a kind place for inflexible stubbornness and unthinking questioning.”
“How can a question be unthinking?” I wanted to know. “You have to think even to ask one.”
My father’s sigh was more like a roar. Then he glared at me. “When you ask a question to which you would already know the answer if you stopped to think, or when you ask a question to which no one knows the answer. In both cases, you’re wasting your time and someone else’s.”
“But how do I know when no one knows the answer if I don’t ask the question?”
“Rhennthyl! There you go again. Do you want to eat cold rice in the kitchen?”
“No, sir.”
“Rousel,” said Father, pointedly avoiding looking in my direction, “how are you coming with your calculations and figures?”
“Master Sesiphus says that I have a good head for figures. My last two examinations have been perfect.”
imager
Of course they had been. What was so hard about adding up columns of numbers that never changed? Or dividing them, or multiplying them? Rousel was more than a little careless about numbers and anything else when no one was looking or checkin

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Customer Reviews

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1 of 1 people found the following review helpful:
4.0 out of 5 stars Very Good, as usual, Jun 29 2009
By jydez (Edmonton) - See all my reviews
I must disagree with elements of the previous review. I agree that as usual Modesitt does a great job of creating a fantasy world, but part of that requires building up the belief structure of the characters. What's all the business with the Namer, the Nameless, and so on mean if we don't find out about the background? The philosophical bits, while boring at points and I would usually skim through, were usually done in a couple of paragraphs, not what I would call lengthy at all.

I couldn't put it down for 2 days (well, except to sleep) and my wife (who doesn't read nearly as much as I do and has a hard time finishing books if they don't engage her interest early on) enjoyed it as well. Looking forward to the next in the series.
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1 of 2 people found the following review helpful:
2.0 out of 5 stars Beatiful portrait of nothing, Jun 5 2009
By E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(TOP 10 REVIEWER)    (REAL NAME)   
It sounds like the ultimate deus ex machina: hey, look at me, I can make and teleport stuff with the power of my mind!

Fortunately, L.E. Modesitt Jr. avoids that particular usage in "Imager," the first book of a new series with the theme of "imaging." He spends the entire book creating a semi-realistic fantasy world with Renaissance French flair, complete with guilds, social customs, subcultures, a tinge of romance and plenty of politics... but unfortunately he never really bothers with much beyond that.

Uninterested in the wool trade, Rhennthyl is apprenticed to a master artist, and soon learns that his skills are too formidable -- and too honest -- for his surly master. But then Rhenn's master and his son are killed in an explosion... mere seconds after Rhenn was imagining it. Frightened of the consequences, he rushes to Imagisle, where the "imager" mages live and work -- they are people who can shape reality with the power of their thoughts.

Becoming an imager has its own challenges, as Rhenn must learn to regulate, control and shape his powers, while learning all about philosophy, law and the strict rules (spoken and unspoken) that imagers live by. And though he personally has some problems with angry, jealous students, there are bigger problems facing the land of Solidar and the city of L'Excelsis -- including a serial killer murdering young imagers, and a brewing war between other lands.

Modesitt loves to create elaborate fantasy worlds, often with a set theme -- music, colour, and in this case the power of imagery (whether art or magic). And "Imager" has a wonderfully intricate world based on France of some centuries ago (except with guns) -- salons of haughty, cutthroat aristocrats, merchants dickering over money, the semi-ostracized Pharsi, and plenty of beautiful artwork. What's more, he gives great attention to the structure of these societies, and the politics of surrounding regions.

Perhaps most importantly, Modesitt comes up with a semi-plausible number of restrictions for the imagers, as well as society's intense discomfort with them.

Unfortunately, all that detail and realism leads to... boredom. The plot crawls by at a snail's pace, with lots of descriptions of the daily life of young imager students, which basically involves a lot of drills and studying. And every few chapters we get very long philosophical conversations about God (or "the Nameless"), law, morals, art, and the intricacies of making imager shields. Modesitt spices things up a little with the hints of encroaching war and some cloak-and-dagger intrigues for talented images, but it's not enough to give this book a real plot.

The cast has a lot of sprightly, quirky or memorable characters, ranging from the warmhearted Seliora to snotty rich boys. Unfortunately Rhennthyl is not one of them: he's too passionless and aimless, and he observes the world with clinically cold eyes. He even kills four men and cripples a fourth over the course of a few months, but never experiences a single twinge of guilt or shock -- even when facing his late master's widow.

"Imager: The First Book of the Imager Portfolio" has a brilliant setting and beautifully detailed framework, but its sluggish pace and aimless hero bog it down badly. At least it ends with the promise of more interesting tales to come.
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