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Golden Voyage of Sinbad (Widescreen/Full Screen)
 
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Golden Voyage of Sinbad (Widescreen/Full Screen)

Starring: John Phillip Law, Caroline Munro Director: Gordon Hessler MPAA Rating: G
3.6 out of 5 stars  See all reviews (16 customer reviews)

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John Phillip Law stars as the legendary sailor this time around as he finds a talisman and sets sail with his crew for an uncharted island. With a beautiful slave girl (Caroline Munro) in tow, Sinbad takes on the evil sorcerer Koura (Tom Baker), who wants Sinbad's golden talisman to complete a spell. En route to the island, Koura brings the ship's figurehead to life to wreak havoc on the ship and crew. Once there, Sinbad and crew must do battle with a six-armed figure of Kali brandishing a sword in each hand, as well as an enraged Cyclops centaur and a winged griffin, and also deal with the treacherous Koura.

This 1974 entry in the Sinbad franchise is a bit of a mixed bag. On the one hand, the film's production values are quite good, and of course the Ray Harryhausen effects are as beautiful as ever. The set design (especially for the scenes inside the cavern) is striking and inventive, and there's Miklós Rózsa's score gracing the soundtrack. On the other hand, the story definitely tends to drag a bit, and Law's indeterminate accent often wavers toward a weird Slavic inflection. Pointing to the film's age, Law and company often tend to look like poncey rock stars with their long hair, beards, and harem pants. That's all nitpicking, though; the action segments, though they're fewer and farther between than in other Sinbad films, redeem the movie with Harryhausen's incredible artistry. It's worth owning just to see the fluid, complex movements of the animated Kali flailing away at six men with her swords. And of course, scream queen Caroline Munro never looked better as the slave girl Margiana. This is rich, well-crafted fantasy fare that the entire family can enjoy. --Jerry Renshaw

On the DVD

Digitally masterd audio and anamorphic video
Widescreen and full-screen presentations
Audio: English [mono] and Portuguese [mono]
Subtitles: English, Spanish, Portuguese, Chinese, Korean, Thai
"Mysterious Island" featurette
"The 3 Worlds of Gulliver" featurette
"Earth vs. the Flying Saucers" featurette
Vintage advertising
Theatrical trailer
Talent files
Interactive menus
Production notes
Scene selections

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Customer Reviews

16 Reviews
5 star:
 (4)
4 star:
 (5)
3 star:
 (5)
2 star:
 (1)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.6 out of 5 stars (16 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
2.0 out of 5 stars Not as Good as the 7th Voyage., April 3 2004
By A Customer
Second Sinbad movie in the Ray Harryhausen film series (although it is not a sequal to the much superior 7th Voyage), kind of drags on it's heels and never quite takes off largely due to a poor script, the wooden acting of Law in the title role, and the absense of Bernard Herrmann not scoreing the music. The absense of him as well as a different film crew working on the movie never acheives the magic and sense of wonder that made 7th Voyage a special picture.
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3.0 out of 5 stars A Decent Harryhausen Flick, Sep 4 2003
By Escushion (Monticello, NY USA) - See all my reviews
Before proceeding with the reading of this review, I have a message for those reading it: If you haven't seen "The 7th Voyage of Sinbad," go do that. Don't worry about this movie, just go buy that one right now. That is the best of the Sinbad movies (and, in my opinion, the best of the Harryhausen films, but I won't profess that above my own opinion.) It is worth owning regardless and you should own that before you even consider this installment.

With that out of the way, I will now begin the review of THIS Sinbad film.

This begins on a sunny day, when Sinbad's crew spots a little gargoyle monster flying over the ship, carrying a piece of gold. One man shoots the gold and Sinbad takes it, despite warnings of its evil, and wears it around his neck. That night, he has dreams of a woman with an eye on her hand, a man in dark clothing, the golden item, and the flying monster. There is also a storm that night, allegedly brought on by the bad luck of the gold. On shore the next day, Sinbad is confronted by Koura, an evil magician who owns the gargoyle creature and wants the gold piece back from Sinbad. The legendary sailor is chased into a keep, where he greets the golden-helmeted Vizier, whose face was burned by Koura's fire. He explains that the gold piece is one of the three that form a map to a place where they must be brought to recieve three powers. Koura listens in via one of the little monsters and hatches a plan to follow Sinbad and the Vizier to the island. Sinbad also picks up a lazy drunk and a slave girl who he sets free, who just happens to have an eye tatoo on her hand.

I'll let it be known now: aside from the homonculi (the flying gargoyle things), there really aren't any stop-motion monsters for a good 30-40 minutes, when the statue at the front of Sinbad's ship is controlled by Koura. The plot holds your attention throughout this, but just barely, as due to the complexities apparent, like the Vizier's face and Koura's aging with each spell he casts.

The acting is... it's ok. Nothing great, but not noticably bad. There are some very cheesy moments, mostly involving the above mentioned drunk whom Sinbad is paid to take on the ship as a sailor. The writing isn't all that great either, but it lasts enough for the stop-motion effects to take over. What I'm saying is, you won't be bored, but you'll be pretty near close.

As for the monsters, they're up to Harryhausen's usual calibur. This movie's grandiose feature is the six-armed Kali statue. The fight between the statue and the sailors is very impressive, especially with how the arms are constantly moving and fluctuating with the movements of the swordsmen. There's still a good 30 minutes to go after that, which are mostly taken up in pursuit of a cycloptean centaur who takes the slave girl away into the caverns of Marabia to eat, as she has been sacrificed by the natives due to the single eye on her palm.

The centaur is probably one of the few Harryhausen monsters (perhaps the only one) that I found mildly disturbing. It looks like it should have some form of speech, and it even sounds as though it could, but it makes the noise of monsters, as if it's a human shouting and screaming like an animal. It's a very creepy sound, and while Harryhausen wasn't responsible for it, he puts it to decent effect.

The centaur battles a griffin later on. The Vizier notes it that the two beasts had been battling eternally, symbolizing the endless struggle between good and evil. They had fought before, and the only reaosn the result changed from the two walking away neither winner or loser was because of the interference of humans.

This is a decent fim, but only worth buying if you are a Harryhausen fan. The DVD doesn't have many features compared to certain other Harryhausen DVDs (*cough*7thVoyage*cough*) but it's better than nothing, which is what many DVDs offer. The second best of the three Harryhausen Sinbad films.

-Escushion

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3.0 out of 5 stars A Decent Harryhausen Flick, Sep 4 2003
By Escushion (Monticello, NY USA) - See all my reviews
Before proceeding with the reading of this review, I have a message for those reading it: If you haven't seen "The 7th Voyage of Sinbad," go do that. Don't worry about this movie, just go buy that one right now. That is the best of the Sinbad movies (and, in my opinion, the best of the Harryhausen films, but I won't profess that above my own opinion.) It is worth owning regardless and you should own that before you even consider this installment.

With that out of the way, I will now begin the review of THIS Sinbad film.

This begins on a sunny day, when Sinbad's crew spots a little gargoyle monster flying over the ship, carrying a piece of gold. One man shoots the gold and Sinbad takes it, despite warnings of its evil, and wears it around his neck. That night, he has dreams of a woman with an eye on her hand, a man in dark clothing, the golden item, and the flying monster. There is also a storm that night, allegedly brought on by the bad luck of the gold. On shore the next day, Sinbad is confronted by Koura, an evil magician who owns the gargoyle creature and wants the gold piece back from Sinbad. The legendary sailor is chased into a keep, where he greets the golden-helmeted Vizier, whose face was burned by Koura's fire. He explains that the gold piece is one of the three that form a map to a place where they must be brought to recieve three powers. Koura listens in via one of the little monsters and hatches a plan to follow Sinbad and the Vizier to the island. Sinbad also picks up a lazy drunk and a slave girl who he sets free, who just happens to have an eye tatoo on her hand.

I'll let it be known now: aside from the homonculi (the flying gargoyle things), there really aren't any stop-motion monsters for a good 30-40 minutes, when the statue at the front of Sinbad's ship is controlled by Koura. The plot holds your attention throughout this, but just barely, as due to the complexities apparent, like the Vizier's face and Koura's aging with each spell he casts.

The acting is... it's ok. Nothing great, but not noticably bad. There are some very cheesy moments, mostly involving the above mentioned drunk whom Sinbad is paid to take on the ship as a sailor. The writing isn't all that great either, but it lasts enough for the stop-motion effects to take over. What I'm saying is, you won't be bored, but you'll be pretty near close.

As for the monsters, they're up to Harryhausen's usual calibur. This movie's grandiose feature is the six-armed Kali statue. The fight between the statue and the sailors is very impressive, especially with how the arms are constantly moving and fluctuating with the movements of the swordsmen. There's still a good 30 minutes to go after that, which are mostly taken up in pursuit of a cycloptean centaur who takes the slave girl away into the caverns of Marabia to eat, as she has been sacrificed by the natives due to the single eye on her palm.

The centaur is probably one of the few Harryhausen monsters (perhaps the only one) that I found mildly disturbing. It looks like it should have some form of speech, and it even sounds as though it could, but it makes the noise of monsters, as if it's a human shouting and screaming like an animal. It's a very creepy sound, and while Harryhausen wasn't responsible for it, he puts it to decent effect.

The centaur battles a griffin later on. The Vizier notes it that the two beasts had been battling eternally, symbolizing the endless struggle between good and evil. They had fought before, and the only reaosn the result changed from the two walking away neither winner or loser was because of the interference of humans.

This is a decent fim, but only worth buying if you are a Harryhausen fan. The DVD doesn't have many features compared to certain other Harryhausen DVDs (*cough*7thVoyage*cough*) but it's better than nothing, which is what many DVDs offer. The second best of the three Harryhausen Sinbad films.

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Most recent customer reviews

1.0 out of 5 stars The movie is hamperd by wooden acting and a bad script...
The casting of Law for the role was a bad choice. He really plays the sailor with little creditablity. Read more
Published on Aug 5 2003

4.0 out of 5 stars Tie up your camel!
Sinbad embarks on another adventure of magic and monsters. In the pre-George Lucas/Steven Spielberg days, the greatest fantasy adventure films were the ones that featured the... Read more
Published on Mar 4 2003 by Robert S. Clay Jr.

3.0 out of 5 stars Sinbad races for untol r-r-r-r-iches - light fun
John Philip Law and Caroline Munro team up as Sinbad and a beautiful slave girl to find the pieces of a mystical tablet in this Harryhausen flick. Read more
Published on Dec 19 2002 by Rottenberg's rotten book review

3.0 out of 5 stars Good Sunday Matinee
First let me say I own all of Harryhausen's movies. I love his work so if I seem a little critical on a couple it is only because I know how great he can be. Read more
Published on Nov 21 2002 by C. A. Luster

4.0 out of 5 stars Pretty Good Sinbad
I thought this Sinbad, had even better effects than The 7th Voyage of Sinbad. It had a great scene when The six armed Buda Statue fights Sinbad. Read more
Published on Sep 7 2002 by Leone

5.0 out of 5 stars Amazing follow-up to Sinbad!
I was so amazed at how good the effects were in this film. It's just as exciting as the 7th voyage, and a great plot. John Phillp Law was perfect for Sinbad. Read more
Published on Nov 26 2001 by Newman

4.0 out of 5 stars A voyage worth the gold
In the follow up to the 7th Voyage, Ray Harryhausen again follows the mythic hero to fantastic locations that pit him against unimaginable creatures. Read more
Published on Mar 8 2001 by Kenn Bradley

3.0 out of 5 stars Golden Matinee
This movie is not Harryhausens best to you unless you were a kid when it was released. The hair on the centaur doesn't move quite right and the motion in the fight scenes is not... Read more
Published on Dec 11 2000

4.0 out of 5 stars One of Harryhausen's best
Technically a follow-up to the Harryhausen-Schneer classic "The 7th Voyage of Sinbad", this Arabian fantasy only shares the title character in a new story. Read more
Published on Sep 22 2000 by Ryan Harvey

5.0 out of 5 stars By far the best of the Sinbad films...
While the story of Sinbad's pursuit of a hidden treasure amidst seemingly insurmountable danger, falling in love with a beautiful woman (thank Allah that polygamy was allowed,... Read more
Published on Aug 7 2000 by EquesNiger

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