This recording delves deep into the Atwood archives, going back to one of the Canadian author's earliest novels, published in 1981. It follows Rennie, a journalist who spends three weeks on a Caribbean island, where she's retreating from a breakup and a brush with cancer. Rather than paradise, however, Rennie finds herself in the middle of an attempted coup. Bonnie Hurren's pacing is good, and she's a solid fit for Rennie's character, but the voice she ascribes to the other main female character is whiny and unsympathetic, which does a disservice to the novel. She also, unwisely, tries to handle Caribbean accents. D.B. © AudioFile 2005, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
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Review
"Passionate and convincing."
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Maclean's "The consciousness that informs the novel is vivid, palpable."
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New York Times Book Review "As swift-moving as the best thriller, clipped and laconic, yet deeply and richly sensitive."
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Sunday Telegraph (U.K.)
"Superior writing, terrifying suspense."
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Atlantic Monthly "Margaret Atwood seems to be able to do just about everything: people, places, problems, a perfect ear, an exactly right voice."
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The New York Times "An overwhelming novel…possessing Atwood's usual ability to harness the energy of language and implication… with remarkable insight and sensitivity."
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Quill and Quire "Time and again the reader is impressed by the sheer virtuosity and skill of Atwood's writing."
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Calgary Herald "Sophisticated, superbly orchestrated.…"
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Saturday Review "Striking, stringent, sharp… infused with intelligence and insight."
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Vancouver Sun "Skilfully written, mordantly witty and immensely readable."
-London Free Press
"What makes her book so considerable an achievement is the mature, informed accuracy of its view of life. What makes it so exhilarating is the profusion of tough wit and precise poetry that everywhere transforms its black bulletins from documentary into art."
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Times Literary Supplement (U.K.)