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For The Prophet's Camel Bell, Laurence drew on diary nearly a decade after she had returned to Canada. Coming out of her study of African colonialism, the work emphasizes political and personal independence, cultural inheritance, racial equality, women's liberation, and the need to promote burgeoning national literatures, including that of Canada. It is also an astonishingly intimate memoir that complements Laurence's posthumously published Dance on the Earth. In the course of mapping out the literary geography of Somalia in The Prophet's Camel Bell, Laurence found a clearer sense of what she wanted to accomplish as a Canadian writing about Canada. This book is a fresh and forthright work of imagination and observation, and it is still a pleasure to read. --Jeffrey Canton
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