From Publishers Weekly
"It occurs to me, as I pack up my briefcase," says Cape Cod attorney Marty Nickerson, "that I'm two for two. First in Buck Hammond's case, and now in this one, I'm arguing that the dead guy deserved it. I've barely begun my career with the defense bar, but I seem to be developing a niche." Any niche is a good niche for Marty-who in Connors's smart, sassy and exciting second crime novel (after 2002's Absolute Certainty) has switched from ace prosecutor to determined defender without missing a beat. Marty and her lover, former Barnstable County public defender Harry Madigan, have plunged into private practice, taking on the controversial case of Hammond-a distraught father who shot, on live television, the man who raped and murdered his seven-year-old son. Then, to add to single mother Marty's impossible work load as Christmas approaches, a savagely battered woman client is charged with the stabbing death of her attacker, a brutal parole officer. Connors, a veteran trial attorney, has a rich enough stock of mordant legal anecdotes to keep her going for years. Even more important, she is so good at creating believable characters (two very different judges, a sardonically ambitious but sympathetic district attorney, a couple of winning teenagers) that even readers with little interest in courtroom shenanigans should find in favor of her humanity.
Copyright 2003 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Martha Nickerson, Cape Cod district attorney turned defense lawyer, is defending a man who shot his son's murderer on live television. Another seemingly unrelated murder occurs during the trial, and the two cases eventually come together. Bernadette Dunne would have been more successful had she decided to do a straight narration, rather than attempting to provide characters with their own voices. The male voices are particularly weak, but the females and teenagers don't come across as believable either. The one supposedly Southern accent is unrecognizable as such. Touches of melodrama are unnecessary in this barely cohesive story. There are so many gaps in the threads of legal argument that the listener is left with the feeling that this is a poor abridgment. S.S.R. © AudioFile 2003, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.
