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The Whereabouts of Eneas McNulty
 
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The Whereabouts of Eneas McNulty [Large Print] (Hardcover)

de Sebastian Barry (Author)
5.0étoiles sur 5  Voir tous les commentaires (5 évaluations de client)

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From Amazon.com

These days, Frank McCourt would seem to have cornered the market on lyrical depictions of Celtic poverty. But never fear, Sebastian Barry--the brilliant Irish playwright, poet, and prose-wrangler--is here. His new novel, The Whereabouts of Eneas McNulty recounts the odyssey of a small-town innocent, who grows up in circumstances more bucolic, but no less threadbare, than McCourt's. It's clear from the very first paragraph, however, that Barry means to take a wide-angle view of his Irish urchin: "In the middle of the lonesome town, at the back of John Street, in the third house from the end, there is a little room. For this small bracket in the long paragraph of the street's history, it belongs to Eneas McNulty. All about him the century has just begun, a century some of which he will endure, but none of which will belong to him."

Having handily survived his Sligo childhood, Eneas joins the British Army in time for World War I--and upon his return home, finds himself shunned as a collaborator. Tarred with this very Britannic brush, he goes one better and enlists in the Royal Irish Constabulary. Alas, this move only cements his fate as a marked man, and his father is soon issued a warning: "Let your son keep out of Sligo if he wants to keep his ability to walk." With a price on his head, Eneas commences a life of wandering, from Mexico to Africa to Nigeria (which the moonlight, he notices, "brings closer to Ireland.") From time to time he sneaks back to Sligo and is promptly expelled.

In another author's hands, this epic of dislocation could well be a bitter one. Yet the stoical and simple-minded Eneas is surprisingly free of anguish, and even his constant fear "has become something else, could he dare call it strength, a privacy anyhow." And the reader, at least, has the delightful distraction of Barry's prose, in which the occasional Joycean notes are entirely subsumed by the author's own colloquial brilliance. In the end, The Whereabouts of Eneas McNulty is less a novel than an exhibition of bardic fireworks--a latter-day Aeniad that's actually worthy of the name. --James Marcus This text refers to an alternate Hardcover edition.



From Publishers Weekly

Known in England as a playwright (The Steward of Christendom), novelist and poet, Barry brings all the attendant skills to this stunning novel, with its evergreen theme of the parallels between a personal life and the political life of a country?in this case the fiery history of 20th century Ireland. Eneas McNulty is born in 1900 in Sligo, the eldest child of a dancing mother and a musician father. By the age of 10, he has forged a magnetic bond with his chum Jonno Lynch, an orphan and Eneas's lifelong opposite. WWI is the pivotal event in Eneas's life; he loses his footing and never regains it. Driven by a vague dream of fighting in French fields, he enlists in the British Merchant Navy and finds himself in Galveston, Tex., hauling machine parts. He returns home to find postwar Ireland in political turmoil and economic dire straits. Jonno, who has devoted himself to the "world of shillings and employment," won't acknowledge Eneas because of his connection to the British. After a jobless year, he signs up with the Royal Irish Constabulary, which cements the community's conviction that he's a British loyalist. To take his name off the "black list," Jonno and his crowd demand that Eneas become an assassin against the RIC. While Eneas doesn't fear his own death, he can't kill anyone else. And so his permanent exile begins. He works as a herring fisherman in the North Atlantic, joins the British army for WWII, digs a canal in Nigeria, opens a hotel for homeless veterans in London's Isle of Dogs. Eneas is in many ways an Everyman in this century of the migrant and the dispossessed, but Barry is careful to intersperse flashes of humor as well as moments of bone-deep longing in his protagonist's bleak odyssey. Work and the rare moments of fellow-feeling it produces are Eneas's solace as even his memories of home are salted with the menace of the men who've vowed to hunt him down. Barry's lyric prose, astute use of detail and poignant insight are a fit match for his tragic theme of an innocent buffeted by history.
Copyright 1998 Reed Business Information, Inc. This text refers to an alternate Hardcover edition.

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5.0étoiles sur 5 (5 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 more stars than 5 needed for this novel, Mars 10 2002
Par Un client
This has to be the best novel written, at least in the English language, in the latter half of the 20th century, and I've read A LOT of the best books of this time period. It is simply amazing, and I'm not even going to give a word of it away in this review. It has everything that makes a novel good, but most striking is the sheer poetry of the language. An absolute masterpiece.
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5.0étoiles sur 5 haunting, Jui 9 2001
I am giving five stars to a book that I thought I did not like when I read it. However, I realized later that I kept thinking about it. Often! It is not a book to be read lightly. The characters, particularly the main character, are haunting. It is a compelling portrait of the effects of living with a community's "shunning."
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5.0étoiles sur 5 The best, Nov. 21 2000
Par L. D Sears (El Paso, Texas USA) - Voir tous mes commentaires
(REAL NAME)   
The best. I had the pleasure of spending two weeks in Ireland this summer--my first trip there. It was an illuminating experience, to say the least. Ever since I have returned, I have absorbed myself in all things Irish. Sebastian Barry's book is by far the best of the lot--including the much overrated. A Star Call Henry. This is luminous prose, which tells the full range of modern Irish history more graciously than any book I have read on the subject--so far. Each year I pick a book of the year for myself and send it out for Xmas to selected friends. This is the winner for 2000--and the year is not even over. A must.
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Commentaires client les plus récents

5.0étoiles sur 5 a must read
this book was recommended to me by a high school teacher who knew that i was interested in irish authors and wanting to explore beyond mccourt,doyle, and oconnor... Read more
Publié le Juil 25 2000 par Lisa Sharp Borger

5.0étoiles sur 5 Absolutely hated to have this book end.
A beautiful, sad book. Eneas McNulty is an innocent set loose in a world treacherous and unforgiving but he remains gentle, kind and amazingly generous through all that befalls... Read more
Publié le Sep 9 1999 par Richard Thurston

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