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A Darkness More Than Night
  

A Darkness More Than Night [Large Print] (Paperback)

de Michael Connelly (Author)
4.0étoiles sur 5  Voir tous les commentaires (126 évaluations de client)

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When a sheriff's detective shows up on former FBI man Terry McCaleb's Catalina Island doorstep and requests his help in analyzing photographs of a crime scene, McCaleb at first demurs. He's newly married (to Graciela, who herself dragged him from retirement into a case in Blood Work), has a new baby daughter, and is finally strong again after a heart transplant. But once a bloodhound, always a bloodhound. One look at the video of Edward Gunn's trussed and strangled body puts McCaleb back on the investigative trail, hooked by two details: the small statue of an owl that watches over the murder scene and the Latin words "Cave Cave Dus Videt," meaning "Beware, beware, God sees," on the tape binding the victim's mouth.

Gunn was a small-time criminal who had been questioned repeatedly by LAPD Detective Harry Bosch in the unsolved murder of a prostitute, most recently on the night he was killed. McCaleb knows the tense, cranky Bosch (Michael Connelly's series star--see The Black Echo, The Black Ice, et al.) and decides to start by talking to him. But Bosch has time only for a brief chat. He's a prosecution witness in the high-profile trial of David Storey, a film director accused of killing a young actress during rough sex. By chance, however, McCaleb discovers an abstruse but concrete link between the scene of Gunn's murder and Harry Bosch's name:

"This last guy's work is supposedly replete with owls all over the place. I can't pronounce his first name. It's spelled H-I-E-R-O-N-Y-M-U-S. He was Netherlandish, part of the northern renaissance. I guess owls were big up there."

McCaleb looked at the paper in front of him. The name she had just spelled seemed familiar to him.

"You forgot his last name. What's his last name?"

"Oh, sorry. It's Bosch. Like the spark plugs."

Bosch fits McCaleb's profile of the killer, and McCaleb is both thunderstruck and afraid--thunderstruck that a cop he respects might have committed a horrendous murder and afraid that Bosch may just be good enough to get away with it. And when Bosch finds out (via a mysterious leak to tabloid reporter Jack McEvoy, late of Connelly's The Poet) that he's being investigated for murder, he's furious, knowing that Storey's defense attorney may use the information to help get his extravagantly guilty client off scot-free.

It's the kind of plot that used to make great Westerns: two old gunslingers circling each other warily, each of them wondering if the other's gone bad. But there's more than one black hat in them thar hills, and Connelly masterfully joins the plot lines in a climax and denouement that will leave readers gasping but satisfied. --Barrie Trinkle --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.



From Library Journal

Police Detective Jay Winston calls on her retired colleague Terry McCaleb to create the profile of a killer, based on the evidence from a murder investigation. Before he knows it, the bizarre details of the murder have sucked McCaleb out of retirement and back into the world of police work. With the profile in hand, a suspect is identified but is he the right man? Or is it a setup? Connelly, award-winning author of Void Moon, Blood Work, and The Poet, weaves his intricate story with skill; his characters are well rounded and complex. Both interesting and exciting, the unabridged version is well read by Richard M. Davidson; the abridged format incorporates the Southern inflections of Michael Beck. Both programs are recommended for fiction collections. Joanna M. Burkhardt, Coll. of Continuing Education Lib., Univ. of Rhode Island, Providence
Copyright 2001 Reed Business Information, Inc.

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4.0étoiles sur 5 Harry Bosch, as a man, grows ever darker and deeper!, Fév 22 2009
Par Paul Weiss (Dundas, Ontario Canada) - Voir tous mes commentaires
(TOP 1000 REVIEWER)   
When the LAPD run into a brick wall solving a bizarre murder, sheriff's detective, Jay Winston, asks her friend Terry McCaleb, a retired FBI agent recently recovered from a heart transplant, to help them out by polishing up his psychological profiling skills and putting them back to work on their stalled case. Edward Gunn, a small-time LA hood involved with the murder of a prostitute was himself found tied, gagged and strangled. McCaleb is convinced that the key to finding Gunn's murderer rests with two bizarre clues - the statue of an owl found in the room with Gunn and the inscription on the tape binding his mouth, "Cave Cave Dus Videt" or "Beware, Beware, God Sees" translated from a version of Latin spoken around the time of the Renaissance.

McCaleb started his search for details on Gunn's murder with an interview of detective Harry Bosch. Bosch, who had been assigned the case of the prostitute's murder and was certain that Gunn had been the killer, was apparently one of the last people to see Gunn alive. But Bosch can only find time to give McCaleb the most cursory of interviews. His time and his mind are fully occupied as the star witness in the very high profile prosecution of David Storey. Storey, a fabulously wealthy Hollywood producer, is on trial for the sex slaying of a young actress. He's alleged to have strangled her during a bout of rough sex and then staged the scene to make her death look like a case of accidental auto-erotic asphyxia.

It's that bizarre owl that's the centerpiece of McCaleb's investigative efforts. Author Connelly leads McCaleb (and this fascinated reader) on a magnificent journey through "A Garden of Earthly Delights", as it were - a fabulously informative sidebar on the paintings of sixteenth century Dutch Renaissance painter, Hieronymus Bosch. It isn't long before McCaleb and Winston have Harry Bosch in their sights as their sole suspect in Gunn's murder. They've got it figured as Bosch meting out frontier justice because he couldn't corral Gunn within the framework of the legitimate legal system.

"A Darkness More Than Night" is unquestionably the darkest and most complex story yet in the ever growing Harry Bosch canon. Connelly skillfully weaves the story of Gunn's murder into the tale of David Storey's trial for murder and brings both stories to a superb conclusion. But for all the complexity and brilliance of the plot that Connelly has devised, it is really the growing, ever deepening and ever darkening character of Harry Bosch that takes centre stage in this particular play. From his earliest appearance in "The Black Echo" as a shell-shocked Vietnam War tunnel rat returning to an ungrateful country to his suspension for pushing his supervisor through the glass window of his office, Connelly continues to make Bosch an ever-deepening mystery. Maverick, loner, cowboy, sinner, saint, psycho ... all of the above? How are we to know?

A superb addition to the Harry Bosch series. Highly recommended.

Paul Weiss
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5.0étoiles sur 5 Cleaning Out the Monsters, Anyway He Can, Juil 8 2008
Modern noir doesn't get any better than A Darkness More Than Night, as Michael Connelly delicately creates a full literary development of the personality of his avenging detective character, Harry Bosch, while accurately portraying ordinary peace officers as the frail humans that they really are. Those who realize that FBI profiling of serial killers is more pseudo-science than science will be amused by Terry McCaleb's misreading of the clues he's given to inspect.

Those who like a novel's progress to be very opaque won't like this book. You'll see where it's headed pretty early on. The pleasure in this plot is to see if the good guys can outmaneuver some very obnoxious bad guys.

I was impressed the way the plot's design cross-cut between police investigations and a trial. I did find that Mr. Connelly's portrayal of what prosecutors do to be more than a little stilted. Janis Langwiser, co-prosecutor, is more incompetent than any first year law student I can imagine.

Those who are familiar with Mr. Connelly's earlier works will be impressed by how smoothly he combines characters and references from several books. Robert Parker could take a lesson from Mr. Connelly in this area. If you don't know the earlier books, you'll still have a fine time with the story . . . the references are well explained before the book's end.

If you like this book, you'll want to be sure to read The Narrows (Harry Bosch).
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4.0étoiles sur 5 That's All, Fowkkes !, Janv. 26 2007
Par Craobh Rua "Craobh Rua" (N. Ireland) - Voir tous mes commentaires
(TOP 500 REVIEWER)   
"A Darkness More Than Night" is Michael Connelly's tenth book, his second to feature Terry McCaleb and was first published in 1999. McCaleb, who made his first appearance in "Blood Work", is a former FBI Agent who retired after a heart attack. He lives on Catalina Island, runs a fishing charter and has now married Graciela Rivers. The couple met when Graciela asked him to look into her sister's murder, some three years previously. Since then, McCaleb hasn't been involved in any investigation - until Jaye Winston comes to visit. Winston, a Sheriff's detective, requests his help with a murder she's investigating - something she terms Terry's "sort of thing". Edward Gunn, the victim, was killed in his apartment in what appears to have been a very carefully constructed murder. Studying the case file, McCaleb notes some of the more significant features, including the message written on the victim's gag. However, he spots something on the crime scene video that Winston seems to have overlooked. A hand-painted plastic owl - roughly two feet in height - had been placed on the shelves in such a way that it 'watched' as Gunn died.

A background check on Gunn shows that he was 'known' to the police : he had a record for 'small-time' crimes, including soliciting for prostitution and drink-driving. He had also been questioned by the LAPD about the murder of a prostitute six years previously. However, the department reluctantly dropped the case and wrote it off as self-defence. McCaleb notices that the lead detective on the case was a man he'd once worked with : Harry Bosch. McCaleb decides to contact him, initially to see if he has any thoughts about Gunn's murder. The investigation, however, puts a very different slant on things and ensures the two men will be talking again.

Bosch, who makes his seventh appearance in this book, is already a well-established character. Orphaned at the age of twelve, he is the son of a prostitute who named him after the Dutch painter Hieronymus Bosch. After serving in Viet-Nam, he returned home and joined the LAPD. He was once a member of the elite Robbery-Homicide Department, but following an IAD investigation was demoted to the Hollywood Division. While McCaleb is investigating the Gunn killing, Bosch is in court helping to prosecute a high-profile case. The defendant, David Storey, is a very famous (and notorious) film director, charged with the murder of a young actress. Jody Krementz's body had been found in her own bed, though it was believed the pose was staged so that it would look like accidental death. Storey is joined at the defence table by John Reason Fowkkes, his lawyer, and Rudy Tafero, his PI. Tafero was once a LAPD cop who, like Bosch, worked out of Hollywood. He retired after twenty years, went private and took out a bail bonds licence.

There's some history between the two lead characters. Although this is the first time they've shared the spotlight in print, this isn't the first time they've met. McCaleb was setting up the Bureau's BSS and VICAP outpost in LA when Bosch - then still at RHD - asked for his help with a profile for a killer. The victim had been a Mexican girl, in her early teens. Never identified, Bosch christened her 'Cielo Azul' and McCaleb named his daughter 'Cielo' in her honour. Connelly subsequently wrote a short story about the case, which has now been included in the collection "Dangerous Women".

I'm not entirely sure dividing the action between Bosch and McCaleb really helped the story - I would certainly have liked Bosch to feature more, given that I think he's a stronger character than McCaleb. Connelly has nearly overdone it with the number of cameos - Jack McEvoy and Brass Doran, from "The Poet", make brief appearances, while there's a nod to Thelma Kibble from "Void Moon". Meanwhile, both Bosch and McCaleb bring a number of their own 'support characters' it was nice to see Teresa Corazon again. Harry's investigation into Gunn was never covered in any book, though it did form the backdrop to "The Last Coyote". (Harry's Lieutenant at the time, Harvey "98" Pounds, had interfered with Gunn's questioning - as a result, Harry lost his temper and pushed his bureaucratic boss head first through an office window. "The Last Coyote" deals with his subsequent suspension). As a result, this is far from the best place to start if you haven't read anything by him before - I'd recommend reading at least "Blood Work" and "The Last Coyote" first. If you are a fan of Connelly's, though, you should enjoy this - the more you've read by him, the more you'll get out of it.
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Commentaires client les plus récents

5.0étoiles sur 5 A Writer better than most....
It is always a difficult thing to do - to bring 2 of your major characters together in a novel. Connelly pulls it off with a flourish.

What makes Connelly tick? Read more

Publié le Juil 13 2004 par Sridhar Krishnan

5.0étoiles sur 5 RIGHT UP THERE WITH THE LAST COYOTE
A Darkness More than Night draws you in on the first page and doesn't let you go until the last. You are drawn deep into the soul of Harry Bosch to view the good, the bad, and... Read more
Publié le Mars 27 2004 par C. Collins

5.0étoiles sur 5 The colliding of two great characters
In A Darkness More than Night Michael Connelly combines two of his greatest characters, Harry Bosch and Terry McCaleb. In this book, you're not sure who you like more. Read more
Publié le Mars 8 2004 par Theresa W

3.0étoiles sur 5 a bit too clever and tidy
Connelly is a good writer but, as in THE POET, the plot is a little too contrived/clever for its own good. Read more
Publié le Oct. 25 2003 par David Group

4.0étoiles sur 5 Just a good book to read
This book is not the best of Michael Connelly but is a good read, but if you want you can skip the last three chapters and you will miss nothing, the part of McCaleb's... Read more
Publié le Sep 11 2003 par Jorge Frid

4.0étoiles sur 5 Terrific story!
I really enjoyed this! I'll definitely being reading more of Connelly's books- this was my first one.
Publié le Juil 11 2003 par JStauffer

4.0étoiles sur 5 Quick Summer Entertainment from Connelly
I'm no Sherlock Holmes, but (as a mystery reader) I had the outcome of this book figured out about 100 pages into it. Read more
Publié le Juil 7 2003 par Stewart Salowitz

5.0étoiles sur 5 VERY CAPTIVATING
I read a number of works by Michael Connelly and all of them were quite captivating. Michael Connelly was always able to combine a good story with an excellent presentation. Read more
Publié le Jui 9 2003 par Boris Zubry

1.0étoiles sur 5 Sheesh
... The premise of this book is ludicrous: a respected and dogged police detective, of many years standing, becomes the prime suspect in a grisly killing? Read more
Publié le Jui 3 2003

2.0étoiles sur 5 Weak
OK then. The name of the (first) detective is Hieronymous Bosch. A murder is committed where the crime scene is stuffed full of clear allusions to motifs in paintings by... Read more
Publié le Mai 22 2003 par snalen

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