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Ransom at the Opera
 
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Ransom at the Opera [Large Print] (Hardcover)

de Fred Hunter (Author)
3.5étoiles sur 5  Voir tous les commentaires (4 évaluations de client)

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Descriptions du produit

From Publishers Weekly

Opera fans will welcome this seventh book in Hunter's witty series featuring police detective Jeremy Ransom and sidekick Emily Charters (Ransom Unpaid, etc.), set on opening night at Chicago's brand-new Sheridan Center for the Performing Arts. Riccardo Nuevo and Maria Cortez, two brilliant but relatively unknown singers, are playing Don Jose and Carmen in a controversial and innovative production of Carmen. Riccardo's being hopelessly in love with Maria adds verisimilitude to their performance, for she has eyes only for her managerAand anyone else who can further her career. In the last act, Don Jose raises his knife to strike Carmen, drops it and falls dead at her feet. That's not the way it's supposed to happen! Emily, who's in the audience, knows immediately that Riccardo has been murdered, probably poisoned. When the engaging, low-key Jeremy gets assigned the case, he's dismayed to find that, besides the principals of the cast, there are 30 members of the chorus and another 20 extras, as well as stagehands and crew. It's obvious that this is an "inside job," but where could the poison have come from? Riccardo hadn't anything to drink on stage, and the two coffee cups in his dressing room containedAjust coffee. The plot has enough twists to keep the reader guessing, with just about every major character a suspect at some point. Writing in a suitably "operatic" style, Hunter delivers a dramatic and fully satisfying denouement. (Oct.)
Copyright 2000 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.


From Booklist

Hunter's latest in the series featuring Chicago Detective Jeremy Ransom revolves around the death of a tenor. Apparently dead from respiratory arrest but probably poisoned, Riccardo Nuevo may not even be the intended victim, since cast and crew liked him as opposed to the titanically-egoed diva, tempestuous mezzo-soprano Maria Cortez. With virtually all cast and crew members eager to throttle her, as well as a gay couple secretly administering the funding and operations of the theater, the suspects for both murderer and victim must take a number and stand in line in this vibrant and colorful brainteaser. Whitney Scott
Copyright © American Library Association. All rights reserved --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

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L'avis des consommateurs

4 évaluations
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3.5étoiles sur 5 (4 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 Great fun, Mai 31 2001
Par Larry P. (Newark, NJ) - Voir tous mes commentaires
Ransom at the Opera is a really enjoyable read that takes every cliche about the opera and gives it a little tweak on the nose. A young upstart opera company makes a bid for publicity by hiring a musical-comedy director to direct their opening production of Carmen. The gambit works, and they become the talk of the town (and the country) due to the popularity with the public, and the disdain of opera afficionados. The popularity brings the production to Chicago, where internal problems and jealousies lead to murder, which is then investigated by series regulars, Det. Jeremy Ransom and his friend and adoptive grandmother, Emily Charters.

The book is filled with spirit and fun, gently lampooning the conventions of the opera and theater folk in general -- BTW, about the issue of opera singers smoking and drinking--apparently some people believe the stereotypes about divas being chemically pure women perpetually spritzing their throats with atomizers. I used to do makeup at the Lyric, and believe me, some of these people smoke like chimneys (yes, backstage!) and drink like fish.

This book is a lot of fun.

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2.0étoiles sur 5 A Time Killer, Avril 13 2001
Par Herbert Boomhower (Chesapeake, VA USA) - Voir tous mes commentaires
The worst killing regarding this book is the time it took to read it. As a previous reviewer wrote, this is a good "airplane book." No great shakes as literature, but then, it doesn't purport to be. The denouement was pretty obvious in this murder mystery and no grand clues were laid at the feet of the reader, but if you're just looking for a book that will help you kill some time, this will work.
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3.0étoiles sur 5 Not in the Real World!, Mars 8 2001
Par Un client
This is a mildly amusing book (fine for an airplane read), but for anybody expecting a realistic picture of the opera world and opera singers: warning - this ain't it! Although the author has obviously researched CARMEN itself (words/music are quoted accurately and staging is realistic), he doesn't have a clue about what goes on behind the scenes. If that kind of thing doesn't bother you - read no further. For anyone curious to know how the book diverges from reality, read on (murderer/motivation will not be revealed!):

Operas aren't musicals and CARMEN isn't RENT. It's highly unlikely that an opera produced by a shoestring local California opera company, no matter how innovative and no matter how well-reviewed by a major paper, would capture national attention and run nightly for months on end. Much more likely: the company would give 2 or 3 performances locally. With great opening night reviews, nearby big-city opera cognoscenti would want to check out the show and probably attend the company's next production - and that's about it!

It's also virtually unthinkable that any opera singer would smoke or drink before/during a performance. And as for a leading lady going out to dinner before her opening night performance - no way! She'd be in her dressing room drinking gallons of water or hot tea, nervously vocalizing or babying her voice, and praying that she'd have a huge success. Nor would an up-and-coming singer complain about having to sing in a major city like Chicago because she wanted a vacation - she'd be thrilled! And while I'm at it - she wouldn't be able to afford to hire a fulltime personal assistant (more likely, she'd be up to her eyeballs in debt from her very expensive voice lessons) - and if she was as unpleasant and temperamental as this one is, she would have been thrown out of the show long before opening night!

Finally - these days, singers don't worry about not being taken seriously because they're from from (gasp) Texas! And for the record - there's a big (huge, gaping!) difference in the accents of a a true Spaniard (Castilian) and a native Texan, no matter how fluent (Mexican-flavored)!

If you don't mind any of this, have fun with the book. And if you're interested in knowing more about the real backstage opera scene, check out Manuela Hoelterhoff's "Cinderella & Company" - a highly readable non-fiction book packed with amusing gossip.

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4.0étoiles sur 5 Good read
The opening performance at Chicago's new Sheridan Center for the Performing Arts is David Cunningham and director Marc Berger's interpretation of the classic opera Carmen as a... Read more
Publié le Nov. 4 2000 par Harriet Klausner

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