From Publishers Weekly
"Please don't go there. The past is the past," sighs New York Assistant District Attorney Jaime Berger, who herself was introduced in Cornwell's last Kay Scarpetta novel, The Last Precinct (2000). Alas, many of Cornwell's fans are bound to agree. One fascinating nonfiction bestseller (Portrait of a Killer: Jack the Ripper, Case Closed) later, Cornwell now returns to Scarpetta, formerly Virginia's chief medical examiner. From the start, however, the formidable author is up against the equally formidable task of getting her charismatic main character off ice and back in action. We encounter Scarpetta languishing in a crumbling little rental house in Florida. She has taken refuge there and become a private forensic consultant after she was driven from her job for her alleged involvement in the murder of a deputy police chief. The violent death of her lover, Benton Wesley, the brilliant FBI psychological profiler, has left her filled with an unappeasable grief. When the coroner in Baton Rouge asks her advice on a cold case concerning an affluent woman found dead of a drug overdose in a seedy hotel, it seems little more than a diversion. Yet it becomes clear that the overdose may be related to a fresh string of serial killings. Also disturbing Scarpetta's somber peace is a troubling letter from someone out to kill her, the sick and obsessed death-row inmate Jean-Baptiste. When Scarpetta is at last allowed to get back to business, she is a feisty, independent powerhouse whose capacity to concentrate and observe rivals Sherlock Holmes's. But too much of this book is bound up in retrospective musings about events in previous books. The great Scarpetta, her fiery crime-busting niece, Lucy, and a colorful supporting cast deserve better.
Copyright 2003 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
BLOW FLY unveils Dr. Kay Scarpetta's new life after leaving her post as the State of Virginia's chief medical examiner. Carolyn McCormick's Scarpetta is believably cool and controlled; she sounds detached even though she's grieving the loss of her former life and her lover, Benton. McCormick does a good job differentiating the other characters, such as the fiery Lucy and the brusque Marino, though her Southern accents occasionally sound a bit thick. This story jumps around in location, which, especially with the abridgment, makes for a choppiness more noticeable at the end. The sound effects of spooky music and swamp noises that appear at chapter openings to provide switches in setting are useful; random helicopter sounds and gunshots that appear out of nowhere are less so. Overall, a decent production that will appeal to Cornwell's many fans. J.C.G. © AudioFile 2004, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to an out of print or unavailable edition of this title.