From Publishers Weekly
Set during the Watts riots of 1965, this eighth entry in Mosley's acclaimed Easy Rawlins series (
Bad Boy Brawly Brown, etc.) demonstrates the reach and power of the genre, combining a deeply involving mystery with vigorous characterizations and probing commentary about race relations in America. Easy Rawlins, 45, is—like the rest of black L.A.—angry: "the angry voice in my heart that urged me to go out and fight after all the hangings I had seen, after all of the times I had been called nigger and all of the doors that had been slammed in my face." But Easy stays out of the fiery streets until a white cop and his bosses recruit him to identify the murderer of a young black woman, Nola Payne; the cops suspect an unidentified white man whom Nola sheltered during the riots, and are worried that if
they pursue the case, word will leak and the riots will escalate. Easy, an unlicensed PI who also works as a school custodian, agrees to investigate, drawing into his quest several series regulars, including the stone killer Mouse, the magical healer Mama Jo and his own family. There's also a sexy young woman whose allure, like that of the violent streets, threatens to smash the life of integrity he has so carefully built. In time, Easy focuses on a homeless black man as the killer, not only of Nola but of perhaps 20 other black women, all of whom had hooked up with white men. This is Mosley's best novel to date: the plot is streamlined and the language simple yet strong, allowing the serpentine story line to support Easy's amazingly complex character and hypnotic narration as Mosley plunges us into his world and, by extension, the world of all blacks in white-run America. Fierce, provocative, expertly entertaining, this is genre writing at its finest.
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In another outstanding offering, Mosley's Easy Rawlins rambles, full of repressed rage and passion, through the burnt-out streets of post-riot Watts. Rawlins has been recruited by the LAPD to track down whoever is murdering black women who date white men. As usual, our conflicted hero, sketched deftly and vividly by Mosley and voiced with layers of honesty and outrage by Michael Boatman, faces society's demons and his own in his search. Boatman gives life to the victims and perpetrators of prejudice and hate and illuminates the cast of characters--uptight white detectives; ghetto thugs; devious, sultry women; and sullen men--who often unwittingly play a part in social evolution. D.J.B. © AudioFile 2004, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.