From Amazon.com
Oprah Book Club® Selection, August 2000: The narrator of Elizabeth Berg's
Open House calls divorce "a series of internal earthquakes ... one after the other." She ought to know. Samantha is abandoned by her husband in the opening pages of this three-handkerchief special, and the resultant tremors keep her off-balance for most of the novel. There are practical problems aplenty, of course, including a shortage of money and an 11-year-old son to raise. But Sam's sense of emotional bereavement is far worse, despite the fact that her husband had been giving her the conjugal cold shoulder for years:
I miss David so much, yes I do, I miss the presence of another person in my bed at night, even if he doesn't touch me; the reliability of someone else being there in the morning, even if they only shave and stare straight ahead into the mirror while you lean against the bathroom doorjamb with your cup of coffee, chatting hopefully.
The loneliness in her "as constant and as irrefutable" as circulating blood, Sam begins to rebuild her life. She finds herself a job and takes in a couple of boarders to help meet her mortgage payments. (One of them, a depressed student named Lavender Blue, informs her that "life was nothing but one major disappointment after the other"--the sort of homily that Sam is understandably reluctant to hear these days.) She also starts dating, with disastrous results. Yet this comically kvetching heroine does manage to find love in the ruins, and by the time
Open House winds down, it's hard not to believe that she's much better off. Throughout, Berg alternates her snappy and sappy registers like a real pro. And the conclusion, which most readers will be able to spot a mile off, seems just right--the light at the end of the post-matrimonial tunnel.
--Anita Urquhart
--This text refers to the
Hardcover
edition.
Elizabeth Berg,who has always embraced issues that beleaguer women, now addresses divorce as Samantha struggles with reason, finances, and motherhood after her husband has left her. Beth Fowler gives a rounded personality to many of the book's characters, and, even though we might not agree with her characterizations, there are varied voices and attitudes for each. Her narration, however, is stilted and disjointed. It lacks the warmth and intimacy that would draw the listener into the family circle. Each sentence attacks, instead of smoothly supporting the story. J.P. © AudioFile 2001, Portland, Maine--
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