From Publishers Weekly
Starred Review. Beaton's flawless 21st installment in her popular Hamish Macbeth series (after 2005's
Death of a Bore) boasts amusing local color and singularly savvy sleuthing. Macbeth, constable in the Highlands village of Lochdubh, thinks the apparent suicide of Effie Garrard, an artist who's arrived in town only recently, is suspicious. Following the murder of a nosy American tourist, Macbeth digs a little deeper and learns that Effie couldn't paint to, er, save her life—she was passing off another artist's work as her own. Macbeth's personal life is also consuming: two old flames turn up in Lochdubh within a few days of each other. Of course, Macbeth solves what turns out to be a double murder—but resolution of his romantic contretemps will have to wait for the next novel in this charming series. Beaton, who's also the author of the Agatha Raisin mystery series, will be the British guest of honor at the 2006 Bouchercon.
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Graeme Malcolm gives a nuanced portrayal of diverse characters inhabiting or visiting a remote village in northern Scotland. Various characters stride across the canvas, and Malcolm essays them all, including a grumpy American, and Englishmen and women from down south. Malcolm succeeds without going into falsetto or mumbling incoherently; it's all in the pacing and accent and cadence. His vaguely Scottish narrative voice binds the story together. Constable Hamish Macbeth, who has starred in 20 previous mysteries, must cope with a delusional female visitor whose fantasies lead to murder. The voice and the setting are so compatible that one settles back and enjoys the story, scarcely noticing the narrator's expertise. D.R.W. © AudioFile 2006, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.