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3 internautes sur 3 ont trouvé ce commentaire utile :
5.0étoiles sur 5
Breakthrough in Tangiers, Avril 12 2001
There has been much written about Naked Lunch, so much that the basic facts can be stated from memory: written in Tangiers while the author was addicted to heroin, edited by Allen Ginsberg and Jack Kerouac, sold to Olympia Press in Paris and Grove Press in New York, made the author famous and ranked him with Henry Miller and the Marquis de Sade, suffered obscenity trials that ended literary censorship in America, filmed as a movie by David Cronenberg almost twenty five years after publication. And don't forget that Steely Dan got their name from this novel but they claim they never read it. That is the story of its life: few people have actually gotten through the whole book. It reads in fragments with inconsistent characters morphing, changing and altering identities. Dream, hallucination, reality and drug visions blend and merge and disperse. Scatalogical routines take coherant form and read like vaudville humor from a bathroom wall, then deteriorate into filthy fragments and irreverant and often disgusting descriptions of sado-masochistic sex acts. Everyone is a junkie, everyone is gay, everyone screws teenaged North African boys, everyone is insane, psychotic or diseased. Doctors kill their patients, police murder their suspects, drug addicts infect their marks with insect diseases and turn into centipedes during sex acts that threaten to nauseate the reader. So what does it all mean? What is the motivation or the reasoning behind it all. Burroughs was no fool and he had a strong moral intent all the way. He considered himself a reporter who has entered behind enemy lines, like a photojournalist who returns from Vietnam with pictures of napalmed babies. The title Naked Lunch evokes an image of someone being wised up to what they are eating. Burroughs is depicting the relationship between the junkie and the drug dealer to be a metaphor for all control systems, for all vampiric systems whether it be capital punishment, abuse of political power, police states, etc. By the time Burroughs wrote this novel he had suffered through decades of abuse at the hands of federal agents, narcotics police and the customs officials of all the third world borderlines that he crossed as he moved from New York to Texas to New Orleans to New Mexico to Mexico City to Tangiers, all the time running from the police, none the least of reasons being that he shot his wife through the head during a drunken game of William Tell (she put a glass on her head and challenged him to shoot it off -- he lost the challenge). Burroughs was a troubled junkie from a distinguished southern family, a Harvard student who studied archeology and linguistics, who studied medicine in Vienna, who went to New York to find work and wound up hooked on heroin. He took part in the birth of the Beat Generation in 1944 before setting off on his long tortured odyssey that led to more drug addiction, the death of his wife, and the bottom that he hit in Tangiers. He went there in the mid-50's to impress the exiled community of writers including Paul Bowels (who wrote the Shelting Sky) but who rejected him because he was just a filthy junky with a gun fetish. Instead he wrote Naked Lunch. It is a descent into Hell chronicled by a man who was to become one of the best writers of the 20th Century. The events that led to the writing of Naked Lunch is chroniciled in the amazing documents known as the Letters of William Burroughs 1945-1959. These letters were the source of Cronenberg's screenplay of Naked Lunch, more so than Naked Lunch itself. Read the letters first, then read Naked Lunch. Then see the movie. In that order. It will all make sense...in the end. A book that changed our cultural landscape. It never became dated. It exists outside of time and space, in the Interzone of our polluted minds.
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5.0étoiles sur 5
Right out there, Oct. 11 2006
The definition of great art (or books) is that they change what comes after them, either as a reaction to, or a continuation of, whatever said "art" is. Such is the case with NAKED LUNCH, the literature-changing work by Burroughs. So many authors owe Burroughs a nod in that he freed up the way to their books. DeLillo comes to mind, with his UNDERWORLD, as does Jackson McCrae and his KATZENJAMMER which, though more linear and more plot-oriented, is still influenced by NL. But Burrough's NAKED LUNCH is more than just the ravings of a heroin junkie, it's an entirely new concept in composition. I read somewhere that Burroughs, while a real junkie himself, nevertheless took on several techniques to get the right feel for LUNCH. One was to take the pages he had written and cut them up, so that they made no sense. Oh, the words were all still there, but jumbled and incoherent, the way an addict would speak, or try to. Whether this is true or not, I do not know, but if you read this book, you'll definitely get that feel. There's a bizarre disturbing poetry in the words and lack of linear plot. This dream-like landscape will pull you in, if you let it. Wild and wonderful, dark and even funny at times, NAKED LUNCH is a must read for those who want to see how literature can "open up" what we're used to.
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5.0étoiles sur 5
Imagination and Exotica: A Compelling Trip, Juil 12 2005
NAKED LUNCH is the ultimate cut-up/quote bible/scrapbook of what it was like to be alive and a free-thinker in the Fifties. As well, the horrors of the "oil-burning junk habit" and the worlds in which the visionary dwells, are covered in great detail. There is somewhat of a back-story, dealing with a kind of Rodgers-and-Hammerstein-meets-HR-Giger-meet-sthe X Files cabal of aliens and other species infiltrating the human race. Burroughs sees himself as a catch-as-catch-can reporter on all this, "like an agent who has forgotten his own cover story [but] all agents defect and all resisters sell out." This book is one wild ride, and as I said, should be read as a poetic scrapbook. Burroughs' contributions to all forms of media have been absolutely invaluable. This book was declared innocent of obscenity charges by the United States Supreme Court in 1959, and thus are we allowed to cuss (to an extent) on TV and on the radio. Burroughs made a great leap for free speech that is still being felt today: if a work uses questionable material within contextual merit, then it is not obscene. And NAKED LUNCH is anything but a hemmorhage of the imagination. The role of drug use as it relates to artistic endeavor, the role of the writer as idol-breaker, and the very form of writing itself. His work is hard to access, and very much an acquired taste. But when you acquire the taste....the world never looks the same. Pick up a copy of this great book, and take your time. If nothing else you're bound to appreciate the exotic settings, Burroughs' imagination, his dry caustic wit, and some gorgeous surreal visuals: i.e. take in the Mugwumps (p.46): if this is not worth the price of a book, nothing is! Another cult novel I'd like to suggest is THE LOSERS CLUB: Complete Restored Edition by Richard Perez
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