From Amazon.com
With none of the nostalgia that mars so many books and movies about World War II, Sabina Murray's short story collection
The Caprices covers the unfamiliar territory of the Pacific Campaign--Malaysia, the Philippines, New Guinea--and the all-too-familiar territory of human suffering. Most of Murray's characters are victims of circumstance. In the title story, a once-wealthy family lives in the shell of its grand house in Manila, guarding a demented young girl named Trinidad and trying not to attract the attention of the Japanese soldiers who have occupied the town. In "Order of Precedence," a young Indian officer in the British Army encounters his former commander at the prisoner-of-war camp where they have both been detained. Lieutenant Gillen is starving and diseased, but he will live; Major Berystede is dying. Once, in recognition of the younger man's polo skills, Berystede had proposed him for admission to the whites-only Officers Club. Now, through his parched lips, Berystede tells Gillen: "I finally found a club that would take us both." Though these nine stories are not linked, they can be read as variations on the theme of the unheroic reality of war. Brilliant and affecting,
The Caprices merits comparison to
The English Patient and, in a different vein but with a similar breadth of reach, David Mitchell's
Ghostwritten.
--Regina Marler
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
A caprice in wartime may be a sinister thing or a necessary distraction, and in this shrewd, striking debut collection of nine short stories by novelist (Slow Burn) and screenwriter Murray it is frequently both. The characters of these cleverly crafted tales are bound by the atrocities of WWII in the Pacific and forced to make decisions in situations where hope is in short supply. The survivors are supposedly the lucky ones, though veterans like Australian Bob Cairns in "Walkabout" is horrified to learn he "would only bring the war back to a place that he had hoped to protect from it. He would no longer be a person but a reminder of absences.... He was now an ugly thing, a sore upon the landscape, a battered body which told a story that no one wished to hear." Like Cairns, Murray displays the ravages of war, but she has full confidence in the power of her storytelling ability. Attempting to tell the truth, no matter how gut-wrenching, she also handles humor with laudable finesse, using it to separate those characters who can still appreciate it from those who now find laughter unfamiliar and awkward. In "Guinea," American soldiers Francino and Burns are lost in the jungles of New Guinea with an emaciated Japanese POW who offers them some unexpected comic relief. The narrator of "Intramuros" entertains the reader with mini-tales of her mixed-heritage family; a distant cousin, Benito, is legendary for looting a store "liberated" by the Japanese and trusting a stranger with his prize, a bicycle, while he returns for more. War is an unusual subject for a young female writer; with each piece, Murray proves to be increasingly exceptional. Author tour.
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--This text refers to an out of print or unavailable edition of this title.