A hard-boiled PI investigates missing persons cases in New Orleans's French Quater over a span of three decades in this uncoventional suspense novel.
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews

Black detective Lew Griffin skips his father's final illness (New Orleans, 1964) when he's hired to find a missing person--well-known black leader Corene Davis. Successfully finding Davis, he repeats the trick three times--searching for runaway teenager Cordelia Crayson in 1970, his friend Jimmy Smith's kid sister Cherie in 1984, and finally his own long-unseen son David in 1990. The searches are understated, variously successful, and seasoned with increasingly elegiac glimpses of Lew's erratic home life (his unlikely romance with British nurse Vicky, his repeated return to his obliging friend LaVerne); and readers waiting for first-novelist Sallis (the story collection A Few Last Words, 1970) to drop the connections among them will wait in vain. But an unexpectedly poignant sketch of the detective emerges through the apparent holes in the plot. Not so much a detective story as a story about a detective, then- -but one that exploits the conventions of the genre with quietly distinctive power. Likely target audience: people who think James Lee Burke's moody Dave Robicheaux novels are overplotted. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved. --Ce texte provient d'une �dition qui n'est plus publi�e ou qui est non diponible.

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5.0�toiles sur 5 Target Market, D�c 29 2002

Par	G. Smith (St Paul, MN USA) - Voir tous mes commentaires

If novels were "branded" at point-of-sale not only by genre but also by target demographic -- in a way analogous to the way in which many cable channels work to "brand" themselves as the first choice among their own target audience -- then this series by James Sallis would almost certainly belong "on PBS".

I had hesitated to sample this series because -- with no just cause -- I had concerned myself with the possibility that this series may play better on "The WB", and I encourage you not to make my mistake.

Lew Griffin is a fully-fleshed character -- unusually multidimensional in comparison to any other fictional detective I have had the pleasure of knowing. If I were any other author of the genre I would envy Sallis greatly for his ability to make a character feel so real, so likeable, and so constantly interesting -- more so when I stop to consider that objectively, and only in retrospect, the plotting here seems pretty simple -- its best and perhaps primary feature simply being the means by which new facets and depths of Lew's character are revealed.

But PBS? Well, I also don't want to scare you off by virtue of whatever negative opinions you may have about that. If you want a hard-boiled detective, I don't think they come much harder than Lew Griffin. By the end of the second novel in this series (Moth) Lew has bashed, been bashed and gotten smashed with the best of them. And yes, there are women in his life. Interesting women!

... So, check it out and in so doing, encourage Sallis to provide us with many more additions. These are solid gold.

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