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Outlaws
 
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Outlaws (Hardcover)

de George V. Higgins (Author)
5.0étoiles sur 5  Voir tous les commentaires (1 évaluation de client)

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From Publishers Weekly

The author of The Friends of Eddie Coyle and Imposters brings his considerable storytelling skills and his customary perfect ear for dialogue to this complex novel of right and wrong, principle and pragmatism in the daily practice of modern American law and politics. In 1978, detective Lt. John Richards and Assistant Attorney General Terrence Gleason get a grand jury indictment against four radical activists from the '60s, for robbery and multiple murder in a Boston bar. Included is James Walker, the son of a New York society matron, an ardent supporter of a young people's amateur orchestra, whose tours have provided cover for American intelligence activities since WW II. The trial, beating at the heart of Higgins's story, results in convictions for all except Sam Tibbetts, the ringleader, who gets off on temporary insanity. Seven years later, after Tibbetts has been let out of his state institution, Walker's sister contacts Gleason, who had been her lover for a while after the trial and is now a criminal lawyer in private practice, to act on getting her brother released. The narrative ranges from the '40s to the '80s, revealing connections in the lives of his large cast of characters and setting up the older generation's movements, supposedly within the system, against the younger's, supposedly outside it. While deftly arranging right against left, ends against means, and illuminating the play of private passion in public practice, above all he tells a powerful, page-turner of a story.
Copyright 1987 Reed Business Information, Inc.


From Library Journal

Another triumph from Higgins. In a story set in and around Boston from 1970 to the present, Outlaws explores the ambiguity of contemporary lawbreakers and high-level corruption. It examines international violence through the reactions of the many characters to Sam Tibbettsa drug-crazed, violent, and immoral student of the 1970s. And it also scrutinizes the juggling of professional achievement with personal disruption through prosecutor Terry Gleason's pursuit and prosecution of Tibbetts. Higgins ( The Friends of Eddie Coyle ), a Boston criminal lawyer, writes with authority and compelling authenticityhis court scenes are especially vivid. His extensive and skilled use of realistic, earthy dialogue reveals living, breathing characters and pushes the complicated plot along at a breathless pace. Jean B. Palmer, Andover, Mass.
Copyright 1987 Reed Business Information, Inc.

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5.0étoiles sur 5 A crime classic, and so much more..., Nov. 26 2003
Par S. Harris (Spotsylvania, VA) - Voir tous mes commentaires
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I first read George Higgins' "Outlaws" many years ago. It made such an impression on me, that for the last 3 to 4 years I have been looking for it in used book stores. Higgins was a great crime writer (Elmore Leonard turned to writing crime novels after reading Higgin's "Eddie Coyle"), but unfortunately, especially since his death, it seems his reputation is shrking down to only that of "The Friends of Eddie Coyle." And that's a shame, since "Outlaws" is arguably the greater novel. "Eddie Coyle" is a fine novel. But with "Outlaws," Higgins leapt beyond genre, into great fiction.

"Outlaws" on surface tells the story of a bunch of young college kids turned 60s era terrorists (SLA, Weathermen). But that's only part of it. "Outlaws" is also a book that captures what America was, is, and is heading toward. Lines converge in a way that bring together the CIA, organized crime, corruption, hypocrisy, infidelity, government sanctioned assasination, and terrorism, and casts them across the rapidly changing (or is it?) moral landscape of our country. For you see, the robberies of the gang are simply stones dropped into the American pond. It's the ripples that they create that triggers the more real story. Higgin's method is inventive. It's true, most of the action is revealed in a delayed fashion, through conversations (dead on dialogue, of the kind you find in the best Leonard novels). However, what makes the dialogue so fascinating in "Outlaws," is that Higgins moves from one social (or professional) group to another, with complete beliavability. And in the case of the women socialites who dwell on the fault lines of where so many of the story lines converge, there is a chilling accuracy (in particular, at a memorable dinner party) that one finds in the 3 witches/fates of Macbeth. Words can cut and kill. The one truth that does come out: we are all, to some extent, Outlaws. It doesn't get better than this.

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