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Lulu On The Bridge
 
 

Lulu On The Bridge (Paperback)

by Paul Auster (Author) "Crowd noise outside ..." (more)
3.7 out of 5 stars  See all reviews (6 customer reviews)

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Product Description

From Library Journal

Noted novelist Auster is now making his debut as sole film director with Lulu. Best known for his "New York Trilogy"?made up of City of Glass (LJ 10/15/85), Ghosts (1986), and The Locked Room (LJ 1/87)?Auster also wrote the screenplay for Smoke and codirected Blue in the Face. His novels have been described as postmodern anti-detective works, while his films have dealt with intersecting lives and friendship. Lulu on the Bridge proves to be a more complex film, with parallel story lines, a movie being filmed within the movie, and a romantic relationship tinged with magic and redemption. Made up of the screenplay with accompanying essays and interviews with Auster, the production designer, the costume designer, the editor, and the producer, this book is satisfying but specialized. Recommended for strong film collections only.?J. Sara Paulk, Coastal Plain Regional Lib., Tifton, GA
Copyright 1998 Reed Business Information, Inc.


Product Description

The insider's guide and perfect companion to the new film starring Harvey Keitel, Mira Sorvino, and Vanessa Redgrave.Stunning and surreal, Lulu on the Bridge is a romantic mystery with a lot on its mind. It is the story of Izzy and Celia, two lonely, wounded, and mismatched strangers, transformed into soul mates by the uncanny powers of a phosphorescent stone. Destiny, as well as some bizarre and near-tragic circumstances, conspire to keep the lovers apart. But the audience and reader are privy to a grand and surprising finale that explains all. Thought-provoking, intriguing, and utterly romantic, Lulu on the Bridge offers a lyrical meditation on what distinguishes chance from fate, reality from illusion, and life from death. Following on the success of the screenplay cornpanion to Smoke and Blue in the Face, this book contains the shooting script; an interview with Paul Auster by Rebecca Prime; interviews with the producer, costume designer, editor, director of photography, and production designer; and stills from the film.

Inside This Book (Learn More)
First Sentence
Crowd noise outside. Read the first page
Explore More
Concordance
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews

6 Reviews
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 (4)
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Average Customer Review
3.7 out of 5 stars (6 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
5.0 out of 5 stars If you are a fan of the film.... YES!, Sep 7 2002
By A Customer
I love the film. Now I can "take" the film with me
anywhere I want with this screenplay. I cherish
every word. I also love the fact that some of the
edited scenes are in the dialogue too. I just wish
the pictures could be in color. Other than that,
a must for any FAN of the film! "You can't live if
you don't eat, right?" "Right."
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1.0 out of 5 stars Didn't read the script but saw the movie, so...., Dec 6 1999
By The Angel of Death (just over Ira Einhorn's shoulder) - See all my reviews
In a word, it truly stinks. The "twist" ending would be just passable in a student film; here, from the author of The New York Trilogy, it's a colossal embarassment. When Willem Defoe went into "Singin' in the Rain," I almost hid under the sofa. Ouch.
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1.0 out of 5 stars No way -- this is a trite, familiar bit of Twilight Zonery, Aug 8 1999
By A Customer
Paul Auster is an exceptional writer and capable of great work-- for example, all of LEVIATHAN, MOON PALACE, and THE MUSIC OF CHANCEare excellent novels. TIMBUKTU, his latest, has plenty to recommend it as well.

But he's also capable of producing dreck (for instance, his close-to-unreadable novel MR. VERTIGO), and this script is in the dreck category.

Has the man never read "An Incident At Owl Creek Bridge"? Well, Ambrose Bierce used the gag at the core of this film many, many years before Auster did. Borges used it, too. That by itself is fine -- the fact that Homer wrote about war doesn't mean no one else should ever again -- but seems to think his gag is clever, orginal, and not telegraphed, when nothing could be further from the truth. (Frankly, the only reason I was in suspense until the end was that I couldn't believe that Auster would [re-]use such an obvious gag.)

LULU ON THE BRIDGE is crap. Pretentious writing, familiar ideas. Don't be suckered.

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Most recent customer reviews

5.0 out of 5 stars Auster is more than ever a brilliant story teller!
I have not been able yo watch Lulu on the Bridge at the cinema because of an unlucky timing, but being an 'Austerian', I did not hesitate buying the screenplay out of curiosity... Read more
Published on Jun 10 1999 by Jerome (jn3274@hotmail.com)

5.0 out of 5 stars Full Of Symbolizim
I could not put the book down. The soulmate connection between Izzy and Celia was neat and the question and answer sessions between Dr. Read more
Published on April 29 1999

5.0 out of 5 stars No words ... I'm deeply moved about the story.
Once started to read,couldn't stop. I just finished reading and i think i couldn't find the right words for this "experience". Read more
Published on Dec 22 1998

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