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Lives Of Shadows
 
 

Lives Of Shadows (Hardcover)

de Barbara Hodgson (Author) "JULIAN SHOULD HAVE NEVER ANSWERED THE DOOR ..." En savoir plus
4.5étoiles sur 5  Voir tous les commentaires (2 évaluations de client)

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"Julian should have never answered the door." So begins Barbara Hodgson's The Lives of Shadows, an illustrated narrative that is as rewarding to view as it is to read. The door in question belongs to a house called Bait Katib in the ancient Syrian city of Damascus, and "Julian" is Julian Beaufort, the Englishman who purchased the home before getting caught up in the First World War. Beaufort has lived in Bait Kabib since returning from the war, but when he answers the fateful knock in 1945 his rights are called into question by a visit from a cousin of the previous owners, the Katib family.

The narrative of The Lives of Shadows alternates between Beaufort's return to Damascus and his search 20 years later for the proof that will establish his ownership of Bait Katib. There is another, very mysterious presence loose in the house, but it's hard to deny that the real protagonists of the story are the city of Damascus, and Bait Katib itself. Clearly, the Vancouver author shares with her expatriate hero a foreigner's delight in the city and its architecture, and many pages of text are devoted to vivid descriptions of ornate interiors and exotic exteriors. Hodgson, a graphic designer and author of other illustrated novels including Hippolyte's Island, has also exquisitely and sumptuously furnished the book with maps, drawings, blueprints, calligraphy, and photographs. The result is a marvelous-looking work that opens a door of its own, into a dusty and strange world that offers secrets right up until the very last page. --Shawn Conner



From Booklist

*Starred Review* Canadian author and designer Hodgson has made the "illustrated" novel her specialty--obviously drawing on her interest and expertise in design. As in her previous novels falling into this "genre," the actual format is significant. Her works have a scrapbook nature to them, with the texts augmented by photographs, clippings, drawings, maps, floor plans, receipts, and pressed flowers, all on heavy, high-quality paper. This time Hodgson has invented a mysterious, mesmerizing tale about a young British man who, in 1914, ventures on a latter-day version of the eighteenth- and nineteenth-century Grand Tour and finds the Middle East so fascinating that he is compelled, almost at the expense of free will, to buy a certain house in Damascus, Syria. The novel's conceit is that in the "present" day--which is 1945--this man, of course now much older, is forced to prove his ownership rights of the house that has come to be not only his shelter and sanctuary but also his lifeblood. His way of documenting ownership is to set down, in notebooks, details of his long association with the house he loves above all things. The sheer physical beauty of Hodgson's novel--so delicious is it to simply study the abundant and authentic illustrations--is buoyed by the beautifully sculpted prose. Grounded in real place and time and even architectural detail, the novel nevertheless soars as a dreamy, even ghostly, evocation of lost worlds and people--as an exquisite excursion back into history, borne on the author's keen imagination and creativity. Brad Hooper
Copyright © American Library Association. All rights reserved

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4.5étoiles sur 5 (2 évaluations de client)
 
 
 
 
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1 internautes sur 1 ont trouvé ce commentaire utile :
5.0étoiles sur 5 "...how would she have felt in my arms?", Mai 12 2004
I've read several of Barbara Hodgson's books before reading THE LIVES OF SHADOWS. They are a lovely blend of the read and the fantastic and they are always illustrated with the elegant and beautiful drawings done by Hodgson, herself, drawings, that make the books come alive.

THE LIVES OF SHADOWS is my favorite Hodgson book. It's a literary romance, a ghost story, a detective story, a history and more. Set in Damascus between 1914 and 1945, THE LIVES OF SHADOWS tells the story of Englishman, Julian Beaufort and his love affair with Bait Katib, an ancient house with its history literally written on its walls.

When Julian first encounters Bait Katib it's occupied but its owners, who are elderly, agree to turn the house over to him if he only continues writing its history. The house, they believe, deserves to have its story told as much as does any living, breathing human being. Julian agrees, but he must return to England where he is delayed for the next ten years. When he finally returns to Damascus, the owners of the house are dead, leaving Julian free to claim Bait Katib as his own.

Julian does claim Bait Katib and, for the next twenty years he lives for the house...and for Asilah, the missing daughter of the former owners, with whom he becomes obsessed. Then, one day, Julian's peaceful, reclusive existence is shattered when relatives of the former owners arrive and claim the house as their own.

Without tangible proof that he actually owns the house, Julian decides the only thing he can do is write about the twenty years he's spent there. As he writes, he feels a ghostly presence, the presence of Asilah, the missing daughter. Asilah, it seems, has been sharing the house with Julian. Now, he writes his history of the past twenty years in English during the day while Asilah writes her history in the same notebook in Arabic at night. Eventually, the two narratives meet and merge and Julian comes to a startling conclusion.

THE LIVES OF SHADOWS is a beautiful story that is beautifully told. People who demand stark realism in their fiction should probably give this book a pass, though. But those who love "ghostly presences" and poetically romantic novels will probably love THE LIVES OF SHADOWS. The author's beautiful illustrations make it easy to suspend disbelief and embrace the story of Julian and Asilah.

Barbara Hodgson isn't an author suited to everyone's taste (who is), but those who like her style will be enchanted with her work. Whether you "like" her books or not, she is a superb storyteller and a fine writer. I'm sorry her readership isn't larger; it certainly deserves to be.

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1 internautes sur 1 ont trouvé ce commentaire utile :
4.0étoiles sur 5 "He senses something special beyond what he sees.", Mai 7 2004
Par Mary Whipple (New England) - Voir tous mes commentaires
(TOP 500 REVIEWER)   
Unusual in its combination of story and illustration, Hodgson's latest novel, set in Damascus, is a ghost story for believers in magic, lost palaces, and the felicitous communion of two spirits. But it is not "just" a romance. In fact, the narrative moves along so precisely and with such unadorned language that it is as much a day-by-day journal of the restoration of an ancient house, which is at the heart of the action, as it is the story of a ghostly love.

Julian Beaufort, a young Briton on a 1914 graduation tour of the Middle East, falls in love with an old house in Damascus, once part of a large complex, and succeeds in buying it from the family which has occupied it for 210 years. World War I and a civil war in Syria delay his return to Syria until 1926, and when he finally gets back, he discovers that his house is the only one in the neighborhood to have survived the bombings and subsequent fires in Damascus.

Aided by the maid of the former owner, a porter he meets at the railroad station, and his Arabic teacher, he begins the restoration of the house to its former grandeur, a project which takes twenty years. The architectural drawings of various rooms and wings, and the sketches of details he plans to restore seem to grow larger and more vibrant while he is asleep, however, and we discover that Asilah, the missing daughter of the former owner, is "helping" with them from her hiding place, connecting psychically with Julian.

Hodgson, who is also an artist, has filled the novel with old newspaper photographs and stories, snapshots of Damascus, family portraits, Arabic writing, pressed flowers, transparencies, maps, close-ups of architectural detail, sketches, and even Julian's to-do lists. The reader does not need to "suspend disbelief" here because this detritus from Julian's daily life "proves" his existence. Asilah, and the palace which she explores and describes to us, may or may not exist, but we are willing to accept her existence at face value because we "know" that Julian exists. Fun to read, with illustrations which will fascinate even those who are not art historians, this novel is a welcome change of pace, a delightful and beautiful book satisfying on several levels. The abrupt ending, designed to surprise, is not really unexpected, but that is a small quibble for a book that is so visually pleasing, a rare picture book for adults. Mary Whipple

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