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Count Geiger's Blues
  

Count Geiger's Blues (Paperback)

de Michael Bishop (Author)
3.5étoiles sur 5  Voir tous les commentaires (2 évaluations de client)

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From Publishers Weekly

Xavier Thaxton, erudite fine arts editor at a great metropolitan newspaper, views himself as a "superior" man. Then he is exposed to radiation that endows him with powers far beyond those of mere mortals. Adopting the name and costume of a popular new comic-book superhero, he becomes Count Geiger; his exploits include saving women from muggings, stopping a particularly exploitative exercise at a local strip joint and generally inspiring all and sundry--until he starts to die of radiation poisoning. Nebula Award winner Bishop ( No Enemy but Time ) sets this amusing super-hero sendup in the fictional city of Salonika, capital of the southeastern state of Oconee (no doubt on the same map as the famed comic-book locales Gotham City, Metropolis and Central City). The plot is developed in leisurely fashion; Thaxton does not don the Geiger identity until the novel's midpoint. His efforts are dedicated to reforming criminals and bettering humanity's lot. Along the way Bishop finds time to criticize nuclear power plants, making his story politically correct as well as entertaining.
Copyright 1992 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.


From Library Journal

Costumed comic book heroes, fast foods, and heavy metal music represent the ultimate in bad taste for fine arts critic Xavier Thaxton. Then an unhappy coincidence transforms him into his "worst nightmare " in this masterpiece of speculative fiction by the author of The Secret Ascension . Bishop consistently grapples with significant issues in his novels, and Thaxton's struggle to redefine his values while at war with his body is no exception. Whether viewed as modern parable, cautionary tale, or splendid satire, this is a top-notch addition to any library's sf or general fiction collection.
Copyright 1992 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

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3.5étoiles sur 5 (2 évaluations de client)
 
 
 
 
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3.0étoiles sur 5 Bishop deconstructs deconstruction, Aoû 28 2002
Par Glen Engel Cox "www.engel-cox.org" (Kuala Lumpur, Malaysia) - Voir tous mes commentaires
(REAL NAME)   
This review is from: Count Geiger's Blues (Paperback)
This one jumped off the shelf and into my hands. I'm a Bishop fan from years back--having read and loved books like Ancient of Days, No Enemy But Time, The Secret Ascension (aka Philip K. Dick is Dead, Alas), and Unicorn Mountain--and I hadn't even known that he had a new book coming out.

Not only that, but a book that really piqued my interest. Bishop's doing his own version of Watchmen here--what if a "superhero" really existed in our world. But the operative word on the title page is that this is a comedy. For all his realism, Bishop is actually writing in the tradition of James Branch Cabell and Thorne Smith, warping our reality to actually satirize it.

It has confirmed my expectations. Xavier Thaxton is the Fine Arts editor at the local newspaper--a man who hates popular culture. But slowly he finds that popular culture is what he needs, and what he is becoming. The conclusion is a statement about "art," that most nebulous of terms.

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4.0étoiles sur 5 Tells a good story while poking fun at art, journalism, etc., Aoû 28 1996
Par Un client
This review is from: Count Geiger's Blues (Paperback)
Bishop takes a cast of highly improbably characters who are suspiciously like people you know and tells a wonderfully entertaining and human story about the nature of heroism and duty. Along the way he skewers art, art critics, comic books, journalism, rock/alternative music, teenage angst, and almost anything else that wanders by. It's damned hard to write a satire without turning the characters into caricatures, but Bishop keeps all his people three-dimensional and (mostly) likeable even at their worst. I'm most impressed with what Bishop does with Geiger himself. Geiger starts as a character rich in artistic depth but one- dimensional as a person. He ends up as a one-dimensional comic book character who's much deeper as a person. An impressive inversion, and an impressive work to pull off.
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