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5.0étoiles sur 5
The Thief Within the Theft, Nov. 20 2003
According to rumor, when John MacDonald first debuted Travis McGee in 1964, he submited five novels at once. Ritual considers The Deep Blue Good-by as the true first novel, although there is little evidence that would favor any of them. All can be read independently, and all are excellent reading.McGee makes his living by retrieving things that are hopelessly lost and tasking a hefty percentage off the top. This funds his idyllic existence on the Busted Flush, a housboat in Lauderdale. As McGee puts it, he is tacking his retirement in chunks spread over his life rather than all at once. When Chookie McCall, a friendly dancer tries to get McGee to listen to the probelms of one of the women in her dance troupe McGee's first reaction is to say no. But his sense of chivalry betrays him, and he finds himself drawn into the story of Catherine Kerr, who suspects that her estranged husband ran away with a nest egg that her father left for his family before he went to prison and to his death. Soon McGee, the Busted Flush, and a Rolls Royce pickup truck named Miss Agnes are out hunting for Junior Allen and the mysterious treasure he is suspected of taking. What McGee discovers soon enough is that Allen isn't just a crook, he is a true socipath. The story begins to take ugly turns and we quickly find out that even white knights can get very dirty. MacDonald's mystery storys are more often roller-coaster rides than quiet journeys, and The Deep Blue Good-by is no exception. McGee is noble defender, tough guy, and patient listener as the circumstances require. What he never is, is boring. What sets MacDonald's novels apart from his many imitators is his tight control of language and pacing. Without warning McGee's narration can shift from the mystery at hand to scathing social commentary. Descriptions are vivid without the use of excess adjectives. While MacDonald isn't really a noir writer, there is a dark shadow in all his stories. One that can leave you shaken long after you turn the last page.
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de John D. MacDonald
de John D. MacDonald
de John D. MacDonald
de John D. MacDonald
de John D. MacDonald
