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Noise: The Political Economy of Music
 
 
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Noise: The Political Economy of Music (Paperback)

de Jacques Attali (Author)
3.8étoiles sur 5  Voir tous les commentaires (6 évaluations de client)

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6 évaluations
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3.8étoiles sur 5 (6 évaluations de client)
 
 
 
 
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2 internautes sur 2 ont trouvé ce commentaire utile :
4.0étoiles sur 5 A must read.., Déc 21 2000
Par Un client
... because it is so outrageous to be brilliantly thought provoking. Sometimes I think he is out to lunch and I am not confident that he understands everything he wrote. (or maybe the translation is not right.) Still, the mythology he presents is detailed and well developed and whether you agree with it or not, is fascinating.

There is a lot of coverage of European classical music in terms of "Who is paying whom" as well as the current recording industry. He also gets some things wrong, such as his coverage of Free Jazz (Carly Bley is black?), to which he nevertheless is sympathetic towards.

Therefore, I don't know how much you can trust his conclusions, but at the same time it gets the reader's mind to consider all sorts of new facets, and that is why this book is great.

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2 internautes sur 3 ont trouvé ce commentaire utile :
4.0étoiles sur 5 Not Literary {wind}, Nov. 22 2000
Par Joseph L. Keohane "vdamocles" (Somerville, MA United States) - Voir tous mes commentaires
(REAL NAME)   
Sometimes lazy people like to use phrases like "literary{wind} " to justify their inability to understand difficult topics, or to cover for their own, lacking, vocabularies. The foregoing review did just that. The fact is, sometimes precise thought demands precise language.

Anyway, this book provides valuable insight into the relationship of fringe art/music, and the future of society. Attali postulates that society is founded upon the idea that bad noise must be subverted. Therefore, all forces effecting social change, at some time, have been subverted. Given time though, they find their way into society by way of, here, music, and begin to cause change.

This is a very interesting and well conceived book. A great read for philosophy student and musician alike. It puts a new spin on the effect of music on culture, and the reciprocal relationship between art and society. Good stuff.

In closing, and in response to the previous reviewer, "college isn't taken as seriously as it once was" simply because the hallowed halls are clogged with students who readily dismiss works of sound thought because they don't like having to look up words or work for their own enlightenment.ENDs

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5.0étoiles sur 5 Simply brilliant, Avril 14 1998
Par radoslaw@gte.net (Long Beach, California) - Voir tous mes commentaires
This is simply one of the very best books I've ever read in my life. If you're interested in music, or maybe about, don't laugh, the meaning of life in general, this text is a total eye-opener. I just don't look at things the same way as I did before I read it. Very provocative and sophisticated, but very clearly written, needs 100% concentration on the subject and an open mind. Basically renders most of the traditional musicology and approach to music useless. Asks more questions than it answers, but hey, you'll gain new persepective. Rad
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 		 Commentaires client les plus récents

4.0étoiles sur 5 A must read..
... because it is so outrageous to be brilliantly thought provoking. Sometimes I think he is out to lunch and I am not confident that he understands everything he wrote. Read more
Publié le Déc 21 2000

1.0étoiles sur 5 Literary Masturbation
This text was a required reading for a college course I took, and it basically summarizes why college isn't taken as seriously as it once was. Read more
Publié le Avril 5 1999

5.0étoiles sur 5 Music as commidity and predictor of social change.
This is an essential work for anyone interested in the sociology of music. The author follows 2 significant threads of thought in this work; the commidification of music, and... Read more
Publié le Jui 15 1997

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