Stormqueen! (Hardcover)

This is a quote from Stormqueen, but it won't be long before someone raises this question in the real world, or before we have the scientific capacity to create such a future. Marian Zimmer Bradley's prescient tale, written in the '70's, explores the very real consequences, the temptations and dangers, of such genetic manipulation.

For those not familiar with Darkover, think of it as the Middle Ages with psychic powers. It is warlike, patriarchal and pre-industrial. The lack of machines is made up for by crystals, or matrixes, which greatly amplify naturally occuring psychic powers, or laran. These have been developed to take the place of mechanical technology, for both peaceful or warlike means. (There is a striking and again, prescient, parallel between the "relay screens" and the internet.)

Like any talent, skills vary from person to person. These psychic gifts being the very foundation of Darkover civilization, people have been bred over generations for specific gifts, much like an animal breeding program. For the resulting children, death is common, as is mental/emotional instability.

All of the characters in Stormqueen have lives maimed by the breeding program. Mikhail of Aldaran has seen all of his children die; Allart has been cursed with a gift that shows him all possible consequences of each act; Renata has worked desperately to have a life beyond a childbearing pawn; Donal is forced into an intolerable situation due to his stepfather's desire for an heir.

And of course there is Dorilys, the young Stormqueen, a child with a gift far beyond her ability to handle it. A lesser writer would have made Dorilys a one-dimensional spoiled brat or "witch girl." The typical male SF writer would probably have turned her into an evil sex nymph. (See lurid cover art, which is the original from the '70's.)

In Bradley's hands, Dorilys is a fully human young girl, sometimes arrogant and spoiled, but also courageous and loving. These two aspects of her character pull her either way; until the end, it's never certain which will prevail.

The story does have its rough spots and slow places. I could have done with a little less about Allart and Cassandra's marriage, for example. You won't miss much if you skim those chapters. Since it was in there, I would have preferred a little more about how Cassandra grows from a highly dependent, girlish character into a tried and true woman.

As another reviewer noted, this is a tragedy in the classic Greek sense. At each turning or crossroads, there seems only one option, yet inevitably it leads to a tragic conclusion. The flaws of more than one character bring about the tragedy, but still it's hard to see how it could have been avoided.

This book is powerful sci-fi/fantasy with underlying serious issues. If you are concerned about some of the questions the world is facing, Stormqueen will speak to you.

I also recommend MZB's other early Darkover novels: Hawkmistress, Heritage of Hastur, Thendara House, even The Forbidden Tower (though it's not a favorite). They all feature intelligent characters dealing with complex ethical or emotional questions, with plenty of action thrown in.