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Science Fiction / Horror: A Sight and Sound Reader
 
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Science Fiction / Horror: A Sight and Sound Reader (Paperback)

by Kim Newman (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)

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Product Description

What in contemporary cinema is a horror film and what is a science fiction movie? Blade Runner (1982) is as much film noir as science fiction, and it is a literary adaptation. The latest remake of The Mummy (1999) is more an effects fantasy or action/adventure than straightforward horror. Whatever your viewpoint, the best of these movies have generated cults and imitations and the worst have a wonderfully perverse appeal all of their own.
This new volume in the Sight and Sound readers series provides a varied and diverse overview of trends that have shaped sci-fi/horror in the last decade. It explores how recent films like The Fight Club and The Truman Show have impinged on more traditional territory and have tested the limits of conventional understandings of these most central of genres.
The book engages with a host of topics that have emerged over the last decade: vampire movies, body horror, the nuclear threat, childhood terror, artificial worlds, and postmodern horror. It includes fresh looks at classics such as Rosemary's Baby, Psycho, Halloween, Nosferatu, and Blade Runner, as well as 90s highlights the Scream series, I Know What You Did Last Summer, Strange Days Existenz, and Cube.

Book Description

This volume provides a diverse overview of trends that have shaped sci-fi/horror since the 1990s. It explores how films like "The Fight Club" and "The Truman Show" have impinged on more traditional territory and have tested the limits of conventional understandings of two central film genres.

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5.0 out of 5 stars Essential reading for any film buff., Jun 9 2002
By Cubist (United States) - See all my reviews
(TOP 500 REVIEWER)   
If you can't afford or simply can't find issues of the excellent British film magazine, SIGHT AND SOUND, then this book is for you. It is essentially a compliation of reviews, articles and interviews from the magazine with the focus on science fiction and predominantly horror films.

Assembled and edited (with the occasional review written) by Kim Newman, this book is a fantastic overview of these two genres in the past decade. He traces the rise and fall of the teenage postmodern horror film (i.e. SCREAM) and even devotes a chapter to Kubrick's influence on the science fiction and horror genre.

Whether I agree or disagree with the views expressed in the book, I was always impressed by the quality of writing. S&S only publishes the best writers and shows why the British film magazines are so much better than their fluffy US equivalents (i.e. PREMIERE).

If you like substantial, thoughtprovoking film criticism, this is the book to buy.

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