Would you like to see this page in English? Click here.

Achetez-le pour moins!
Commandez-le d'occasion
Vous en avez un à vendre?
Vendez les vôtres ici
 
 
Mr. Sampath: The Printer of Malgudi
  

Mr. Sampath: The Printer of Malgudi (Paperback)

by R.K. Narayan (Author) "Unless you had an expert knowledge of the locality you would not reach the offices of The Banner ..." (more)
4.3 out of 5 stars  See all reviews (3 customer reviews)

Actuellement indisponible.
Nous ne savons pas quand cet article sera de nouveau approvisionné ni s'il le sera.



Product Details


Product Description

From Library Journal

India's great novelist Narayan here serves up the 1949 tale of Sampath, the printer whose life takes an odd turn after his newspaper business folds.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.


Product Description

"There are writers—Tolstoy and Henry James to name two—whom we hold in awe, writers—Turgenev and Chekhov—for whom we feel a personal affection, other writers whom we respect—Conrad for example—but who hold us at a long arm's length with their 'courtly foreign grace.' Narayan (whom I don't hesitate to name in such a context) more than any of them wakes in me a spring of gratitude, for he has offered me a second home. Without him I could never have known what it is like to be Indian."—Graham Greene

Offering rare insight into the complexities of Indian middle-class society, R. K. Narayan traces life in the fictional town of Malgudi. The Dark Room is a searching look at a difficult marriage and a woman who eventually rebels against the demands of being a good and obedient wife. In Mr. Sampath, a newspaper man tries to keep his paper afloat in the face of social and economic changes sweeping India. Narayan writes of youth and young adulthood in the semiautobiographical Swami and Friends and The Bachelor of Arts. Although the ordinary tensions of maturing are heightened by the particular circumstances of pre-partition India, Narayan provides a universal vision of childhood, early love and grief.

"The experience of reading one of his novels is . . . comparable to one's first reaction to the great Russian novels: the fresh realization of the common humanity of all peoples, underlain by a simultaneous sense of strangeness—like one's own reflection seen in a green twilight."—Margaret Parton, New York Herald Tribune

"Narayan's limits are meticulously imposed and observed but his humor and compassion come from a deep universal well, with the result that he has transformed his imaginary township of Malgudi into a bubbling parish of the world."—Christopher Wordsworth, Observer
--This text refers to an out of print or unavailable edition of this title.

Inside This Book (Learn More)
Browse and search another edition of this book.
First Sentence
Unless you had an expert knowledge of the locality you would not reach the offices of The Banner. Read the first page
Explore More
Concordance
Browse Sample Pages
Front Cover | Copyright | Excerpt | Back Cover
Search inside this book:

Associer des mots-clés à ce produit

 (De quoi s'agit-il ?)
Considérez votre mot-clé comme une sorte d'étiquette définissant parfaitement ce produit.
Les mots-clés aident les clients à organiser et trouver leurs articles favoris.
Vos mots-clés : Ajouter votre premier mot-clé
 

 

L'avis des consommateurs

3 évaluations
5 étoiles:
 (1)
4 étoiles:
 (2)
3 étoiles:    (0)
2 étoiles:    (0)
1 étoiles:    (0)
 
 
 
 
 
Évaluation du client type
4.3étoiles sur 5 (3 évaluations de client)
 
 
 
 
Partagez votre opinion avec les autres clients:
Commentaires client les plus utiles

 
4.0étoiles sur 5 How not to make an Indian film, Nov. 16 2002
Srinivas's ambition is to set up and run a weekly journal called "The Banner". After various mishaps, he engages the printer Mr Sampath to produce "The Banner" - thereafter Srinivas is drawn into a chaotic world of small-town Indian film making.

I thought that this was an enjoyable, essentially comic novel, satirising the Indian film industry of the time. It has more to it that merely than that however: I thought that Narayan was also interested in male obsessiveness - or single-mindedness if you will - in which the pursuit of single dreams are often carried out at the expense of cultivating relationships with loved ones/the family.

As ever, Narayan's prose is crisp, sharp and very easy to read. His eye for comedy is good, and the satire is gentle rather than bitter. And enjoyable for all that.

G Rodgers

Ce commentaire vous a-t-il été utile ? Oui Non (Signaler ce commentaire)



 
4.0étoiles sur 5 charming, Avril 2 2000
Par Un client
I bought this in Madras and that same night Chandra brought up Narayan in conversation -- raised in Mysore, brother to RK Laxman. Malgudi is not Mysore, though, but smaller, provincial, in the orbit of Madras -- perhaps some place like Chenglepat, Seshadri's birthplace. This book has a loose, whimsical mood to it. The twin protagonists, the unworldly editor and the worldly yet also idealistic printer, are wonderful. But the story isn't very tight. Short as it is, it reads as if written in installments. Interesting that it was published in London several years before India. I think that this book influenced Naipaul's House for Mr. Biswas -- Naipaul recognized his own father in Narayan's thwarted editor.
Ce commentaire vous a-t-il été utile ? Oui Non (Signaler ce commentaire)



 
5.0étoiles sur 5 An underrated masterpiece, Juil 28 1999
Narayan's writing has immense natural charm and elegance: it is never less than an absolute delight. He often, I think, relies too much on these qualities, and skates over some of the more profound themes. But that is not the case here. The themes are dark indeed: grinding poverty, exploitation, primitive superstitions - indeed, human suffering in general. What can one do when surrounded on all sides by such horrors? Become indifferent to it - assume a philosophy that claims that such things are so, and must be so, as they are part of the eternal equilibrium. And meanwhile, the suffering continues.

All this makes the book sound tremendously heavy: it isn't. It is wonderfully witty and charming; at times, it is uproariously funny. I do not know of any other writer who can do justice to such serious themes with so light a touch. This seems to me one of the great underrated novels of this century.

Ce commentaire vous a-t-il été utile ? Oui Non (Signaler ce commentaire)


Partagez votre opinion avec les autres clients: Créer votre propre commentaire
 
 
Rechercher uniquement sur les commentaires portant sur ce produit



Look for similar items by category


Feedback


Your Recent History

 (What's this?)

After viewing product detail pages or search results, look here to find an easy way to navigate back to pages you are interested in.