|
|
5.0étoiles sur 5
Brilliant, Sep 9 2003
Par Un client
I was so gripped by 'Silence in October' that I was compelled to finish it in two days. With themes similar to that of the film 'My Dinner with Andre' and the poetry of American writer jani johe webster, this profound novel addresses the core of our being with beautiful and unrelenting questions on meaning and being. The prose is clean, and the content brings this novel into the circle of truly great literature. The narrator's meditation on the departure of his wife, the meaning of that relationship and other 'defining' relationships, resonates with our own experience of the mystery of intimacy. Do our relationships over time define and create us, and who is the person still within, the person who might have existed had these relationships perhaps not (randomly?) happened? As the narrator reflects so astutely of his wife, 'When did it dawn on her that there was still an unknown woman trying to draw breath through her nose and mouth, a woman I had never set eyes on, behind her familar features?' The narrator, who, for undoubtedly metaphorical reasons, remains unnamed, also reflects on the passage of time, the inadeqacy of words, and most powerfully, the nature of projection onto another: 'I thought I was writing about Astrid, or about Ines and Elisabeth for that matter, but in fact I was only writing about myself, and when conversely I tried to recall my own thoughts and feelings through the years, I merely interpreted the fleeting shadows that an Elisabeth, an Astrid, and an Ines in turn threw on the valud of my skull's mumbling loneliness.' One cannot help but read this novel and think of Andre reiterating the most essential human questions of 'Who are we? Where do we come from? And where are we going?', or the line from jani johe webster's powerful prose poem 'the weariest river,' in which she writes, 'and if there be no self discover, but rather a collection of aped masks, fastened to a dangling puppet, what then? we all have to make this search, do you think, before death nudges us for the last time?' And like the film 'My Dinner with Andre' and webster's poetry, there is, in this novel, both a disturbing, haunting element, and yet also an element of the possibility of emanicapation from our illusions.
|