de Ken Bruen
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de Ken Bruen
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de Ken Bruen
|
de Ken Bruen
|
de Ken Bruen
|
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From Publishers Weekly
If not as explosive as The Guards (2003) or The Killing of the Tinkers (2004), Edgar finalist Bruen's third Jack Taylor noir mystery-thriller crackles with his trademark tough-guy bravado. While Taylor struggles to stay on the wagon, he agrees to do a favor for Galway gangster Bill Cassell, who wants him to track down Rita Monroe, one of the martyrs of the title—unwed mothers sent into the care of the church and terribly mistreated, often by the nuns in charge of them. Cassell pushes Taylor hard to find Monroe, but Taylor's need for alcohol gets in the way. And as usual in a Bruen novel, his employer's motives aren't what they seem, violence springing naturally out of the disconnect. Along the way, Taylor sleeps with a client's mother, attends a good friend's funeral and loses his entire library. He often seems to float and drift, less driven by his demons than distracted by them. Still, readers will appreciate Bruen's trademark stripped-down noir poetry, his superbly rendered sense of place and his evocative portrait of a person balanced on the razor's edge.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
From Booklist
*Starred Review* In his third case, Galwegian ex-cop Jack Taylor--The Guards (2002), The Killing of the Tinkers (2003--buries some old friends and enemies while meeting some intriguing new ones, thanks to the addition of pills to his coterie of demons (booze, cocaine, and books). This time Jack's progress toward self-destruction is slowed both by a desultory search for a fallen angel linked to a hellish Catholic laundry and by his probe into the black habits of a sexually voracious widow. The series' real draw, though, has never been the story lines; rather, it's the eclectic, lyrical screeds pouring forth from the narrator's ruined heart. Some readers may balk at Taylor's constant literary references (in the midst of a beating, he descants on Henry Green, a "writers' writer's writer"), but these allusions are fueled by the same hard spiritual and physical thirst for sublimity that make him such a compelling existential antihero, not to mention a handy readers' advisor. Suffice it to say that fans of Roddy Doyle, James Sallis, Samuel Beckett, Irvine Welsh, Frederick Exley, Patrick McCabe, George Pelecanos, Ian Rankin, and Chuck Palahniuk will all find something to like, love, or obsess over in this stiff shot of evil chased with heartbreaking irony. Highly recommended. David Wright
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
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The girl was on her knees, polishing the floor. Read the first page
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