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The Literary Ghost: Great Contemporary Ghost Stories
 
 
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The Literary Ghost: Great Contemporary Ghost Stories (Paperback)

by Larry Dark (Author) "The few people who did not like Mr. and Mrs. Beddoes laughed, perhaps jealously, at their ambience of golden wedding, their greeting-card happiness ..." (more)
5.0 out of 5 stars  See all reviews (1 customer review)

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"It takes a certain amount of daring for a literary writer to employ a device as powerful and obvious as a ghost, and a great deal of talent and self-assurance to pull it off. The fact that these stories are so different from one another and that no two ghosts in them are alike is a testament to the power of the individual imagination to appropriate established myths without assuming the associated clichés." So writes Larry Dark in the introduction to this anthology of expertly crafted ghost stories by such luminaries as Donald Barthelme, Paul Bowles, A. S. Byatt, Robertson Davies, M. F. K. Fisher, John Gardner, Nadine Gordimer, Graham Greene, Patrick McGrath, R. K. Narayan, Tim O'Brien, V. S. Pritchett, Anne Sexton, Isaac Bashevis Singer, and Fay Weldon.


From Publishers Weekly

Twenty-eight subtle, modern tales from authors such as M.F.K. Fisher, Muriel Spark, I. B. Singer and Donald Barthelme, distinguished by global settings, some memorable ghostly narrators and the depiction of various religious beliefs about the spirit world.
Copyright 1992 Reed Business Information, Inc.
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The few people who did not like Mr. and Mrs. Beddoes laughed, perhaps jealously, at their ambience of golden wedding, their greeting-card happiness. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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5.0 out of 5 stars Excellent introduction to the literary ghost story genre, Jul 19 2002
By Sherry Austin "sherryaustin.com" (Southern U.S.) - See all my reviews
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By "literary" I mean stories that are original instead of anecdotal. These stories are not campfire tales--not that there's anything wrong with that!--but readers who are used to "told-for-true" stories ought to explore the literary ghost story as a complement to the other type, not because it's good for you like oatmeal, but because it takes you to a whole new level of fun. And ghost stories ought always to be--in one way or another--fun. Think of the stories of Sheridan Le Fanu and M.R. James, those of the Victorian women writers like Cynthia Asquith, Amelia Edwards. THE GHOST STORIES OF EDITH WHARTON are among my personal favorites. Novella and novel-length stories such as Henry James' THE TURN OF THE SCREW, Shirley Jackson's THE HAUNTING OF HILL HOUSE, and Peter Straub's GHOST STORY, fall into the category, "literary," although nothing beats the short ghost story for a quick trip into the Twilight Zone, which may be why collections of short ghost stories are becoming collectors items. Beyond being just plain fun to read, literary ghost stories are often character driven, and contain some psychological depth. They might make powerful feminist statements, as Kay Weldon does in "Angel, All Innocence," in this collection. Literary ghost stories can explore spiritual issues as does Isaac B. Singer's "A Crown of Feathers." Other great stories in THE LITERARY GHOST are Joyce Carol Oates' "The Others," Muriel Spark's classic and often-anthologized "The Portobello Road," and Graham Greene's creepy "A Little Place Off the Edgware Road." In the introduction to THE LITERARY GHOST, editor Larry Dark concludes that this kind of story, "at its best, ...can be immensely satisfying to our mortal souls and their yearning for completion."
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