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Essential Teachings of Zen Master Hakuin (Paperback)

by Norman Waddell (Author)
5.0 out of 5 stars  See all reviews (1 customer review)
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A fiery and intensely dynamic Zen teacher and artist, Hakuin (1686-1769) is credited with almost single-handedly revitalizing Japanese Zen after three hundred years of decline. As a teacher, he placed special emphasis on koan practice, inventing many new koans himself, including the famous "What is the sound of one hand clapping?" As an artist, Hakuin used calligraphy and painting to create "visual Dharma"—teachings that powerfully express the nature of enlightenment. The text translated here offers an excellent introduction to the work of this extraordinary teacher. Here, Hakuin sets forth his vision of authentic Zen teaching and practice, condemning his contemporaries, whom he held responsible for the decline of Zen, and exhorting his students to dedicate themselves to "breaking through the Zen barrier." Included are reproductions of several of Hakuin's finest calligraphies and paintings.


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The fiery and energetic Zen teachings of an important and beloved Japanese teacher and artist are explored here in an elegant book that uses calligraphy and painting to express the true nature of enlightenment. Features 12 reproductions of Hakuin's original artworks.
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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5.0 out of 5 stars Firebrand of Authentic Zen, Aug 8 2000
By Michael P. McGarry (San Francisco, CA United States) - See all my reviews
(REAL NAME)   
The "golden age" of Zen was in the T'ang Dynasty (619-906) in China. By early eighteenth century, what was left of Zen in Japan wasn't much. But the strength of Zen is in the individuals, the truly liberated spirits, it produces, and early eighteen century Japan saw one of the greatest ever: Hakuin Zenji (1685-1768). This book is a translation of what is considered the most important text by this legendary exponent of the Rinzai Zen tradition. Hakuin was a man of high standards, and he had little patience for the soft soothing "Zen" of his day. He pulls no punches in his criticism: "At present, this country is infested with a race of smooth-tongued, worldly-wise Zen teachers who feed their students a ration of utter nonsense" (pp. 24f); "Now that's not even good rubbish" (p. 52); "Phffmp! What graveyard did you pillage for those old left-over offerings?" (p. 92). (Waddell's lively translation contributes to one's appreciation of this dynamic personality.) For Hakuin, what was most important was the breakthrough *kensho* experience, reached after years of rigorous meditation practice; apart from *kensho*, the words and ideas of Zen are worthless and meaningless. Hakuin's Zen represents a level of authenticity consonant with the height of Zen in the T'ang Dynasty. It is a Zen that focuses on the central matter relentlessly, and has absolutely no use for anything that serves to distract from this. In this respect, Hakuin's words may be a useful corrective to some of the more diffuse, feel-good, self-satisfying elements of the New Age. I would not necessarily recommend this book to someone who knew nothing about Zen; at least a cursory knowledge of classical Zen is useful in making sense of Hakuin's many references to great Zen Masters of the past. Not the best starting book, but any serious study of Zen will eventually involve confronting this fiercely determined defender of authentic Zen, and this book is undoubtedly the best English introduction to Hakuin.
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