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5.0étoiles sur 5
Microcosmic epic of the ancient and the modern, Janv. 5 2004
Several attributes distinguish John Cowper Powys as a novelist, and the most prominent, as displayed by "A Glastonbury Romance," is his penchant for long, dense, erudite novels; he is fascinated with mythology and likes to instill his essentially mundane settings with the fantasy and mystique of ages long past; and he tends to be profoundly philosophical in regard to the First Cause. This "Romance" is not a typical heroic epic; the characters are common people who live in the town of Glastonbury, in Somerset County, England, but, like Thomas Hardy's aesthetic successor, Powys creates with his townspeople a vivid microcosm, imitating their peculiar dialect and manners with formidable accuracy. Structurally, "A Glastonbury Romance" is in the nineteenth-century English tradition of long, labyrinthine novels of the kind composed by Dickens and Eliot, containing dozens of characters and several concurrent plot threads, but it is updated to the early twentieth century with contemporary political and sexual issues. Most of the action centers on a family called Crow who, at the beginning of the novel, have convened in Glastonbury for the funeral of, and to hear the will of, their recently deceased patriarch William. The most successful of William's grandsons is Philip Crow, an industrialist who owns a dye factory and a cave complex called Wookey Hole through which flows an underground river and from which tin is mined. The novel's conflicts are political, romantic, and spiritual on a grand scale. The town's capitalism represented by Philip Crow is challenged by a small group of communists, led by the idealistic Dave Spear and a local churl named Red Robinson, who want to gain political control of Glastonbury and turn it into a worker-governed commune. "Bloody Johnny" Geard, William Crow's former secretary, is elected Mayor through the support of the communists and becomes Philip's nemesis; although in the novel's concluding flood, a passage of enormous lyrical power and intense drama, the two men agree in a climactic scene on a surprisingly chivalrous course of action that reveals they are more heroic than their personalities originally suggested. This modern story is immersed in the aura of ancient legends -- Welsh, Celtic, and Biblical, from King Arthur to the Holy Grail to Stonehenge, mystical ingredients in Powys's pungent narrative stew. Perhaps reflecting Powys himself is a Welsh Arthurian antiquary named Owen Evans who has devoted his life to the study of local lore and is writing a history of Merlin the magician. Despite his enthusiastic attentions to the mysteries of the past, Powys is not as much of a misoneist here as he was in "Wolf Solent"; he ungrudgingly allows airplanes in his novel, granting us a brief but wonderful bird's-eye view of Somersetshire. Although Powys's weighty style greatly appeals to me, this novel is not something I'd casually recommend to just anybody because it does require a considerable investment of the reader's time and concentration, being nearly as long as "War and Peace" and featuring verbose prose that pushes itself to, and often over, the limit. But readers who like to indulge themselves in the colorful and expansive potential of the English language will find "A Glastonbury Romance" a most enriching experience.
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